Salisbury.Fake Weekly Update, writing

Writing Journal #3

I’ve finished chapter eight of Lazarus Rising’s first draft. I’m writing from Fogg’s perspective in the beginning of this book, giving him some space to be seen. Not that he deserves such a grace given who he is. Some of the feedback I’ve gotten on Keeper is how dark it is, how violent Frankie ends up being in some instances. I guess I never really saw it as violence if she’s just using what she learns in defense of herself. Because that’s what it all ends up being, self-defense. I suppose I could probably leave some of the finer details out, but what I’ve enjoyed about my writing growth while working on the whole Maker series is seeing how I can use the darker sides of myself to propel a story. How I can give voice to the parts of me that otherwise wouldn’t be expressed. I’m not a murderous psychopath. But someone in my stories is, so I can take them as far as I want to, knowing I am safe from their evilness.

That then begs the question: how much of it is author-insertion? Do I have thoughts of violence? Do I run through the scenes that appear in my books like I want them to be realities? I don’t want them to be real. That’s the beauty of living in fiction, I can put people who don’t exist through extraordinary ordeals to show just how much they can handle–or not handle–and come out on the other side of it. It’s a wonderful thing, the power of creation. I don’t want the world to burn in reality, but I can sure write it doing that very thing in a book.

I’m going to keep going for tonight, and get as much done in chapter nine as I can. I’m almost done writing Fogg’s bit, and then I’ll have a chapter interlude for the Unbound, and then it’s back to Frankie. The page number formatting for this is going to be a nightmare, but I will get it done.

And that’s all I have for you today. Until next time, friends.

Salisbury.Fake writing

Timmy In the Well – a poem

I wish I could be seen with eyes
that know the reason why
I hide my smiles behind
questions I leave unanswered.
So you think you have
the knowledge of my spheres,
when I have buried so deeply
the things I love about myself
to keep them safe, to keep them mine.

I think I remain alone
so no one finds the pathway
through the labyrinth, the hedges
of superficial vulnerability
I install so no one sees just how
far my aching runs, how dark
it is in the permafrost I brick
around my heart; so no one
ever sees how hard I try
to be happy.

Salisbury.Fake Weekly Update, writing

Writing Journal #2 – Description

Back when I was a wee writer lass, I used to spend a lot of time on what I now consider “unnecessary description.” We’ll get into that here shortly, I just want to put a disclaimer of sorts here that I am not saying the writers who do this are bad. There are audiences for pretty much any kind of story written. I will also say when I was a younger reader, I did sometimes prefer the description I’m about to go into. As I’ve gotten older, however, I find it is less satisfying to have such direct references and specifics in a story. I like to wander a bit and imagine with some of the vaguer choices.

What I mean by direct references is the name-dropping of brands of clothing, specific types of furniture, exact songs playing during a moment, the color of the paint on the walls, the down-to-the-very-last-detail of the kitchen.

Telling me the main character is wearing Converse is only important if that plays a massive part in their characterization for the whole story. “Black and white shoes worn to the point of needing tape to be held together” indicates the importance of the shoes far more than the brand name does. The fraying, dingy shoelaces, old sharpie drawings of stars and smiley faces. These shoes are beloved, and it is far easier to see that through the description than being told what it is.

It’s the same as giving me a specific song playing in a moment. Unless that song becomes pivotal to the story later on, don’t tell me what song it is. I think book playlists are marvelous because it gives a vibe, but it doesn’t force me to think of a specific song. Giving me the opportunity to see a scene and feel it through the more purposeful description, such as “vibrant violin music played softly in the corner on an old record player” allows me to sink further into the moment far more than “Vivaldi’s Winter was playing.”

One of my favorite books of all time, I Capture the Castle by Dodie Smith has this magnificent moment where the main character is dancing with her sister’s betrothed, and she loves the piece playing, but she doesn’t find out what it is until after the dance has completed and a major moment happens for her. Debussy’s Clair De Lune is also mentioned, but again it’s after being described by the main character within the context of the moment it’s happening.

To reiterate, I don’t necessarily think there’s anything wrong with using direct descriptions. There are audiences for such a thing, but I find it’s so limiting while writing, and relying on those specifics kind of takes away the wonder of a really good description.

This is a ramble. If you made it this far, thank you. I’ll see you next week.

Salisbury.Fake Weekly Update, writing

Writing Journal #1

One of the things I plan on using this blog for now is a kind of writing journal, where I drop all the stuff I’ve worked on during the week/day/lifetime/etc. For this inaugural entry, I give you:

  1. Finished chapter three of the third book in the Maker series (first draft)
  2. Wrote a personal essay that may or may not be a future blog post
  3. Doodled little scenes between two of my main characters.
  4. Outlined in my head a few ideas for a romance novel I’m looking to get printed this year. It won’t be offered for sale, but I want a few people to have it, so I’m going to do that one for myself.
  5. Considered once again putting together a compendium for the language I made up

And that’s all the tales I have for you from this week. I did start chapter four of the third book (Lazarus Rising), and I’ve started with the perspective of a different character for this one. Usually it’s Frankie being front-and-center, but this time we’re starting with Fogg, baby. The first section of the book will be his perspective, and we’ll see some of his backstory and some of the current events being unleashed now that certain things have happened.

Thank you for stopping by. I hope you are doing well, and if you are not, I hope it stops being a beshmapasen for you soon.

Salisbury.Fake Life, writing

Small Update

Hey!

I published my first book. It’s out there in the world now, and that’s why I’ve been gone for so long. It went live on Amazon back on May 31st, and I kind of forgot this blog existed until a few days ago.

I probably should share a link to it, so I’ll do that at the bottom of this post. It’s available in paperback or on Kindle. There are some minor errors in the printing, but you know what? I care, but not that much. The story doesn’t suffer from those small errors, and there aren’t any glaring spelling issues so I’m leaving it as it is. I’m not intending to make it big, just wanted to tell a story I love.

So, that’s what I’ve been up to. I’m currently working on the second book, The Keeper of Time and that has been smooth sailing (which is difficult for me to accept sometimes because it technically took me about fifteen years to write Fulcrum).

I hope you are well! Thank you for sticking with me. I think I’ll attempt to make more of an effort at updating this blog from now on, but please do forgive me if I go on a hiatus for no reason other than I forget.

If you’d like to read the prologue of Fulcrum and the first bit of the first chapter, it’s available as a “look inside” feature on Amazon. You can find all of that here:https://www.amazon.com/Fulcrum-C-D-Kleeberg/dp/B0B2TBJC56/ref=sr_1_1?crid=2DO6GGUROXZFD&keywords=fulcrum+cd+kleeberg&qid=1658454699&sprefix=fulcrum+cd+kleeberg%2Caps%2C324&sr=8-1

One day I’ll figure out how to make those links look like nice text instead of gibberish, but it is not this day.

Salisbury.Fake Life, Uncategorized, writing

Bent Yet Golden

This is going to be a personal one, so if you’re not up for feelings, please skip this post. I won’t be offended.

My favorite thing to do in the beginning of spring is drive home with my windows down. Daylight Savings Time swung us back to the sun being up when I leave work and because of that, I get to experience the most beautiful time of the day. The golden hour before sunset. Have you ever driven at a high speed with your hand out the window and the sun beaming itself directly into your eyes? Terrifying. And yet, stunning.

It makes my eyes water.

It burns them.

Tears whip down my face with scalding accuracy that only happens when I cry for myself, which never happens. I am beautiful in that hour. That drive home. I am just as stunning as the sun because nothing matters. I am between the earth and the sky and the brilliance of the light is pulling me together. Holding me on its shoulders so I no longer have to hoist the burdens I place upon myself alone.

It’d be easier to let others see how hard I work to keep myself steady. How fiercely loyal I am to them, dedicated to make sure they live the lives they can with as much ease as possible. No one should ever feel inferior. I will let myself be trampled if it means someone else is able to shine.

Does that make me sound like I view myself as a martyr? I don’t. I don’t want anyone to see me.

And yet, I want to be known. Life really is one great big paradox and I still keep trying to solve it.

The rush of air fills my lungs, much in the way running steals it away. It pushes into me, through my nose and mouth, sometimes choking in its eagerness to give me life. To fill me to the brim with the desire to be more.

To become.

To exist within the world I see.

To be the bold, golden beam of light for others.

The buffeting wind on my skin, the promise of further breath. The sweet grass coming in along the side of the road, baking in the sun all day, letting go its almost saccharine scent as the light fades.

As I slow down to turn onto my street, I understand what it means.

Salisbury.Fake writing

What It Sounds Like When I Write

I’m not going to upload a video of pen scratching on paper, don’t worry. But what I am going to talk about today is some of the music I tend to listen to when I write. I was going to do a character playlist, but I think instead, I’m going to give a few theme songs and some of the main music I tend to gravitate toward when I work.

I think I should first say I listen to a variety of music, but mostly instrumental because if it’s words I know, I tend to find myself focusing on those instead. I’ll listen to classical, film soundtracks, alt-rock, sometimes Viking metal, and sometimes nothing. Since I do a majority of my writing at work on my lunch break, listening to music helps drown out the sounds of my coworkers so I can zero in my focus. Sometimes it depends on the mood I’m in when I search for something to listen to, and sometimes I’ll just keep listening to what I started the day with.

If I need to have something emotional going? Season 8 of Game of Thrones, the second half of that soundtrack takes me to feelings I can sink into and push into my writing. Specifically these two songs:

Ramin Djawadi has a profound gift for infusing emotion into his work and I try to emulate that in the words I put down on the page. It’s a way to remind myself not to make the words ordinary. That I want to tell the story, yes, but in such a way it sticks in the readers’ minds long after they’ve finished. I love dissonance in music. If it resolves, great, but if it doesn’t? I am tossed into a place of joy. This is a thing Djawadi uses well within his work too. How can I create written dissonance? Something that twinges the brain into wanting the safety of before, not the twisting discomfort of clashing feelings. How do I put it into words?

It’s not just the forlorn which inspires me, but also the music inspiring boldness, the sound that gets under your skin and makes you want to climb mountains and stare at the sky above the clouds. It carries you past the left for broken feeling the previous chapter left with you. There is hope in the ending going where you want it to. Songs like these:

(yes listening to this for this post made me tear up a bit because I love this so much)

The last few songs I’m going to give you today are theme songs for some of my characters. All three of them fit those people in particular, but the one I have for Naim, it hit me within the first few notes of the song who this was for. Right around 0:24 is where it starts truly sounding like Naim, and until 0:49 I had this clear image of him slow shuffle dancing along a riverside, cigarette in his mouth, dreadlocks secured loosely, his leather jacket open and his arms wide to the sky as he tilts his head back and grins at the sunset. And the rest of the song fits him too, but that short range hit me with such an intense image of someone I didn’t quite have a handle on before, and now he’s one of the more developed of the series. Here’s Naim’s theme song:

The next theme is Milton Fogg’s. I don’t want to go too far into why it’s his theme because I feel like that spoils more than I want to put on the internet, but again within the first few moments of the song, I saw Milton stepping into a building, his silver tipped walking stick tapping on the marble floor as peons scatter around to be ready for whatever he needs. He passes off his top hat to a quivering underdog, and he makes his way to the golden elevators where he spins on his heel and gives a infinitesimal smirk before the doors close. He’s a smug bastard, and he knows how to get what he wants. This is his theme:

The last song is a piece of music, and it happens to be one of my very favorites. It’s not got lyrics, and it’s more of a philosophical look at a theme song for a character. This is Frankie’s theme song:

This song is the end for Frankie. I don’t want to go too much deeper into it because that’s hella spoilers, but there is a very specific reason this song is the end song. It represents what could have been, what should have been, and what will never be. (I know, I grossed myself out a bit with that, too, but it’s the truth.)

And so, I leave you with the hope that your own writing is going well. That you don’t smudge your pages too much, that your computer battery life lasts long enough for you to finish your thought, and that the songs you use for inspiration give life to the words you choose.

Until next time, friends. (I’ll have finished the first book by next post)

Salisbury.Fake Life, writing

From My Journal – Language Update

Hey, there friends! Happy New Year! I’m behind my own arbitrary posting schedule already, but that’s because I gave myself the deadline of January 31st to finish the first book of my series. I also decided that I am not writing with the expectation of becoming a best seller, but more for myself because I love telling this story so much. And that is pretty much where I find myself this evening as I scurry around for a post.

I’m doing a few challenges this January that I’ll talk about in February, but one of the things I’ve challenged myself for the entire year of 2022 is to read more. As with many writers, I find when I read more, I write more. And better. Obviously not on this blog because of the run ons, the inconsistent punctuation, etc, etc. The beauty of this blog is again, I’m writing for myself. I was going to start this year with a book dump of some books I recently finished reading, but I decided to go for a journal update. The last spreads I have to get done before I start the dictionary for the language I’m creating are the plot outlines of each book.

So, the photo for today is a look at the beginning of the dictionary for Moartean. I got the A section for English done last week, and that felt pretty cool. My strategy is to go through a “learner’s” dictionary and pick words that I think the Moarteans would use. The biggest thing for me is trying to figure out which ones could be used multiple ways. Moarteans are interesting people in that they are simple when it comes to words, but complicated when it comes to expressing themselves. Some words can be used interchangeably, while others are kind of “what is this person trying to say to me?” It’s an fascinating thing where I look at words like, “alert,’ and “alarm.” They mean similar things, but have different applications that require context. So, do I make them interchangeable? Or do I apply context to them?

I know it’s extra to create a language. I know not many people would want to do such a thing. But it makes too much sense to me, and incorporating some of it into each book, with the third book having the most in it, feels ridiculously satisfying. I created a prophecy using the language and reading it out loud makes the nerdy part of my brain tingle in a way that it rarely does unless I’ve spent an entire day writing or working on writing things.

I know I post a lot of things motivating people to believe in their goodness and their worth, and that will still be a thing, but this year I’m going to try and incorporate more of what I love into this blog. It’s still a lifestyle blog, but writing is what makes me feel the most real. I know that sounds so pretentious and cliche, but I don’t do a lot of appreciation of myself. Seeing the world I’ve created in my head over the last decade come to life on the page is a feeling I don’t think I have the words to give you. If I could pass the brightness to you, so you could get a glimpse of effulgence I feel after wearing my neck out from being hunched over a notebook for a day, I would give it to you. I would love to share that joy with you.

And that’s a small look into my last few weeks, creativity wise. I hope your year has started well, and I hope you are being kind to yourself because you deserve kindness. I’ll see you soon with a look at some of the books I finished already this month.

Until next time, friends.

Salisbury.Fake writing

If the Trees

Note: This is a short piece I wrote for a contest last month. It does contain strong language and drug references (marijuana).

Malcolm saw the caravan first. I know he debated even radioing the rest of us, but he probably figured I’d make his life more miserable if he didn’t. The caravan was parked where Solomon said he’d leave it when he told us last night. I rode up on my motorbike and sat staring at it for a few minutes. Waiting for the others. Wondering why I didn’t just go in and get it over with.

I heard Malcolm’s ugly voice calling out from behind the silver bullet of a trailer. He hollered about how the door was locked. His irritated banging had me off my bike and running across the abandoned lot before I knew what I was doing. His gray caterpillars for eyebrows shot to what was left of his hairline as I skidded around the bumper.

“Oh, didn’t know you heard the call out, Sida.” He bowed and backed away. “Ladies first.”

I shoved him away, my blood boiling. “Hoping I didn’t want to see?”

“Can you even get in?” He hitched his sweatpants higher and retied the drawstring. “Bastard locked it before he went all vagabond-y.”

“Will you shut up?” I rubbed my forehead, my eyes squeezed tight. Headache percolating behind them. “Go wait for the others.”

Malcolm scrubbed his hand over his two week stubbly beard. “You aren’t the only one who’ll miss him.”

I gave him a small grimace meant to be a smile as I dug into the pocket of my jeans. “You just hope he left behind his weed. Please, Mal? Let me have a moment.”

He waved and grunted as he returned to where he’d parked his truck. I pressed my palm to the door, the metal cool even though the sun had been out that day. The first time I went into the caravan was the day Solomon joined the crew. He met us at a rest stop out in Ohio and had no kind words when Malcolm assigned me to be his navigator. He’d tolerated me and let me know it. Guys like Solomon didn’t need to be told where to go. They went and the world followed.

I unclenched my fist and slid the key into the lock. He gave it to me three years ago. We’d stopped at one of the campgrounds for a week, watching everyone else at another crew’s fire. Solomon hated the noise, and I did too, but never said so.

He had a softer voice than people expected. His gruff exterior always scared kids and made their parents raise their eyebrows. Old enough to be my father, and I still looked about forty years younger than him. We sat at our caravan—his caravan—listening to the laughter take over our friends. My friends.

“Two years, yeah? That’s how long you been my navigator?”

I dragged my eyes away from Malcolm flirting with the matriarch of the other group. “Yeah, two years.”

He rubbed his chin and nodded, not looking at me. “You like it, Sida?”

Something about how he said my name made the rest of the world go quiet. I nodded, unable to take my eyes off of him. “I love it.”

That was the end of the conversation, but before I headed to my tent, he pressed a key to my palm and told me to hold on to it. The same key I now had waiting to turn. I didn’t want to see inside. Not without him. It wouldn’t be right.

Gritting my teeth, I swung open the door and let it close quietly behind me. I hated it immediately. The caravan smelled like his cigarillos. I laughed and sank against the counter of the kitchenette.

“Damn it, Solomon,” I said, lightly tapping my forehead on the cabinet above the practically useless sink. I’d broken the faucet once trying to make him dinner. He fixed it, but it never worked right in the winter.

“Focus.” I didn’t have long before Malcolm would figure out I had the key.

I knew where to find what I needed to. Solomon told me two nights ago. He’d asked me to stay the night. I should have known. He never let me stay. Said it would ruin my reputation, even though they already thought we were together. Said he didn’t want the others to talk about me like they knew me. They did know me, I protested, and he told me the only knew a speck of who I was. It made me laugh and I lit one of his cigarillos for him.

“And you know me so much better, is that it?” I propped my feet on the dashboard. “My own momma ain’t know me, man. What makes you think you do?”

He didn’t answer, just took a long drag. “I got money. Not much, but enough. The others don’t know about it. In case something happens, I want you to have it.”

“You planning on me needing it?”

“It’s just in case,” he said, snapping a little. He rubbed his bald head and sighed. “I want you to stay tonight, Sida.”

The sound of tires on gravel ripped me back. I cleared my throat and went to the front. The passenger seat. Where I usually planted myself for hours at a time. We didn’t talk much at all those first few months. He’d mostly argue with me on directions and be mad when I was right.

I swiped at my eyes and opened the glove box. “You absolute bastard,” I muttered as I pulled out a small box.

It wasn’t very wide, but it was long and deep. Everyone else knew this box as his stash. His weed sat in neat bags balled up in the far corner. There were food vouchers in a bundle held together by a rubber band.

A folded piece of notebook paper waited on top of it all. I sighed, more of a groan, and opened it. “Fucking asshole.”

Sida, this won’t be long. I said what I needed to already. I hope you’ll indulge in the weed at least once, but if not I’m sure Malcolm will take care of it. You know how to find the rest. Take any books you want. Burn the rest of it down. –Solomon

I laughed and got up, still holding the box. Standing took too much effort and I sank down against the cupboards and hugged my knees as sobs took over. As quietly as I could, I cried for Solomon. Something he’d have hated.

Two nights ago he asked me to stay. Every other night, we’d separate to sleep. I’d head to my tent, wishing I could slip under his sheets and lay beside him. Just be next to him. He brought me into the caravan long after everyone else had gone to sleep. I didn’t know what to expect, really. But he held me. That was it. He held me as we talked even more. It was all I’d ever wanted, and being close to him, pressing my face into his shirt, feeling his chest rumble as he spoke in the too early hours of the morning—I’d never known anything like it.

He’d despised me for so long, hating that I was beside him everywhere. It was the rule of the crew, though, that everyone went in pairs and there was a navigator. Eventually after several long months, he didn’t tell me to shut up and we talked. About books. Stories he wanted to tell but never had the right person around to hear them. He’d been divorced since the nineties. After his only novel sold, he quit the life he knew and began his roadtrip, a circuit around the country, weaving through the states on his way from coast to coast. He found us through a bulletin board posting at a rest stop near Chesapeake. Met us in Ohio. He liked Malcolm. At first.

I pushed myself up and began to dump out the box. On the bottom was a tiny button. Pressing it opened the lower half. Ten thousand dollars. I stuffed the cash into my jacket pockets and laid everything else on the counter.

Two nights ago. Solomon took me to his bed and ruined anyone else’s chances of me falling in love with them. He stroked my hair, listening to the night sounds around us, the dimness giving him eerie shadows on his face.

“I’m leaving the group,” he said into my hair.

“Why?” I tried to sit, but he held me still. “Solomon, I don’t–”

He rolled onto his back and put his hands behind his head. “It’s time. I’m going to hike for a while. Live off the land. Become the land.”

“But won’t you—won’t you be lonely?”

His smile surprised me. He reached over and trailed his fingertips along my arm. “I don’t think so.”

A lump almost choked me and I faced away from him. The bliss turned to ash in my gut and I wanted to leave. He rose to his elbow and pulled me back. Cupped my face so he could study me. Learn every bit of my face and burn it into his brain forever.

“I love you, unearthly thing. That’s why I won’t be lonely.” The kiss he gave me felt like goodbye.

Malcolm slammed open the door as I was putting the books I wanted into a small box. “You’ve had quite a few moments. Where is it?”

I passed him the weed and food vouchers. “Here, you prick.”

“Did he off himself?”

I went to the door and took a last deep inhale, patting the pocket I’d tucked one of his cigarillos into. “You should get what you want. I’m burning it.”

“But we can use it, Sida.” He gestured to the rest of the caravan. “Cleaned up a bit, we could do so much with–”

“Five minutes and it’s on fire.”

Leaving him to paw through the contents, I took my box to my bike. The others had arrived. Malcolm’s wife patted my arm as I passed her. She winked and fixed her face into a serious mask, calling the others over.

No one wanted to go in. The crew just stood around waiting for her say-so. Eventually, they’d have to go in. Such was the nature of nomads. Take what’s useful, leave the rest. Magda gave a nod and they descended on the caravan. I turned away, unwilling to watch the desecration. My gaze landed on the box of books. Sniffling a little, I picked up the top one. Solomon insisted it was the best book of all time. I told him it wasn’t as good as some of the others he had in his collection. He didn’t talk to me the rest of that day.

I flipped open the cover and watched a photograph fall out. Crouching, I picked it up, not ready to see what I already knew was there. The moment I’d taken it lived forever in the back of my mind.

A year ago. Even though I never said so, Solomon knew I loved him. I think that’s why he never let me stay with him whenever we stopped. He thought he wasn’t enough for me. I didn’t know how to say he was, so I slept by myself in my tent, popped up next to his caravan.

I’d found an old Polaroid camera at a thrift store. It was only a few bucks, and I traded some of my food vouchers to Magda for use of her debit card to order film. I wasted most of the film. Taking photos of everyone. Solomon refused to be photographed. But as we entered our campground that night, I told him it wasn’t for anyone else, just for me. He’d given me some serious side eye as he stubbed out his cigarillo.

“Fine, but you have to be in it, too.”

I agreed and situated us so we’d both be in frame. Began the countdown.

“Look at me, Sida.”

It was the best picture I’ve ever taken. Both of us were lit by the last golden rays of the setting sun. He had a ghost of a smile while I beamed at him. He’d taken the photo from me and shook it before sticking it to the dashboard. Said it was for the both of us.

As I straightened, I saw he’d written on the back of it.

I hoped you’d take this one. I know I’ve made you mad. Probably think I’m an ass. But the beautiful thing about all of this, the whole last six years of my life, I wasn’t even looking when I found you.

I tucked the photo back into the book and turned to see Magda watching. She tilted her head and came to stand beside me. Passed me her pack of cigarettes and cleared her throat.

“I’ll give them five more minutes, and then I’ll let you light it up.” Her cheek twitched as she saw Malcolm wave from the driver’s seat. “I’m sorry, Sida. You can meet us in Topeka if you want to take some time to find him.”

“It’s fine,” I said as I lit a cigarette. I held the smoke too long, but forced myself to push it out in a long, slow breath. “If the trees are his home, the road is mine.”

Salisbury.Fake Life, Uncategorized, writing

Poem I Wrote for a Boy, But Now Give to a Man

I never told you,
but when the sky is blue–
the kind you find on marshmallows
in Lucky Charms–
I have to take a picture with my eyes
and imagine you can see me.

You know,
I never said this when you were here,
but you made life breathable again.
It’s gotten hard to breathe
and I don’t know what to do.

I read recently that nostalgia lies to us about the people who’ve died. How we spend so much time remembering the good about them, and not really thinking about all the ways they’re awful. And it made me wonder, well what’s wrong with that? Why do I need to remember the ways a person hurt me when I want to be happy with the memories of them that bring me joy? I’m not offering them sainthoods in their next life, I’m offering myself respite from the grief of loss.

I’m fine, really. This week’s post is a poem I wrote back in 2013 and it was originally for my friend Robbie, but as I read it, I thought of Henry. It’s almost unfair how much of my creative processes get devoted to him, but if he’s been the reason I still write, or paint, or give light to the world, I don’t think that’s wrong.