I’ve been rewriting most of the second half of Lazarus, and while that sounds like a lot, it is. I’ve discovered things about characters that didn’t exist before, and now I have deeper appreciation for all the things that happen. I’ve noticed a difference in my writing since asking myself why I use the words “when” or “as” so much. I’ve also changed my approach significantly by adjusting my use of eyes, breath, and something else I can’t remember off the top of my head.
I’ve not done much on the language creation aspect this last week, but I’ve got a board game now? Tacat, and the board is a combo of chess and scrabble in terms of design. Colorful glass mixed with black and white squares, but they’re not in the checkerboard pattern. Randomly placed and no boards are alike. The game is strategy based and Frankie turns out to be really good at it.
To be real honest, I’ve not felt like being much of anything the last few days. I’ve found myself staring into space a lot and playing a game on my phone to keep myself distracted long enough to get to wherever it is I think I need to be.
There’s this image that keeps playing over in my head and I don’t know the significance, but it’s something I’m stuck on. Whenever I hold my nephew, he’ll grab my thumb with his whole little baby hand, and he’ll hold onto it as we move around. I’ll have him on my hip and we’ll be exploring the world around us, and he’s got his emotional support thumb like a little rudder, telling me what he wants to see and where he wants to go. I don’t really think it’s that deep, babies like to hold things. But it keeps singing through my mind and I want to tell him he’ll always have my thumb to hold should he need it.
I’m not at my best. I don’t like the way it feels empty in my entire body. Like I’ve been shucked from my skin and the hollowness is moving around while I stay behind. It’s uncomfortable in a way I’ve not experienced before, and I dislike it intensely. This used to be something I sought after. Something I fought to hold onto, the comfort of brain numbness when the whatever got to be too dark. Now, I want it to go away, and it’s lingering and I feel like a lost little kid.
Apply it to my writing, maybe? I don’t know what I’d write with this. Maybe Frankie’s depression. Reach into the heap of my own sadness and allow it to be shown through her. Give her the words I can’t find for myself.
Sorry this isn’t a pleasant entry. I appreciate you taking the time anyway.
Book number two from the Bingo Board! I am actually reading a third one, one that I started before this one, but that’s not important. This is a book I’ve had since 2024, and I picked it up at an indie bookstore in my town. This bookstore is known for it’s more YA selection of fiction, which is not a bad thing in the slightest. I think, however, I am not the audience for that, as I’m in my thirties and my joints hurt when it’s cloudy.
Hah, they don’t. Or maybe they do and I’ve just assumed that’s normal. In any case, this book is about two teenage girls who come from entirely different backgrounds who meet at a facility geared towards helping struggling girls. One has an addiction problem, brought on by her mother’s constant need for image control (she’s a politician, so do with that as you will). The other one is from a poorer tax bracket, and she ends up almost ending her life due to plans not going the way she expected them to.
Now, before we decide to go in on either one of them, I pose the question: do you remember what it was like being sixteen and your body had an influx of hormones and brain chemistry got altered? Do you remember what it felt like not understanding and knowing others were going through the same thing, but still feeling alone? Those questions are what I kept in my mind as I read this book. It’s a powerful look at two girls, both people of color (a genre I need to read more of, absolutely), and their struggle to know what it means to be who they are within the confines of their societal expectations.
I will say the book is slightly misleading in its description, because it has in the description that the girls find a music box that has letters tucked inside from a former resident of the facility. The way it’s presented in the description makes it sound like there’s going to be far more to the mystery of this unknown girl than there actually is. I think it lasts maybe two or three chapters out of the whole book. Which is fine, as again, YA fiction tends to flow differently from general adult fiction.
And I think that’s something a lot of people got hung up on. I read through some of the other reviews from readers on Goodreads, and while I agreed with some, a fair number were detracting points based on the pacing, the realism of a facility responding the way it did to a major plot point that I won’t spoil. I can’t speak to how facilities designated specifically for teen girls are run, but I do know that the author is, according to her bio on the back jacket cover, a psychologist. I didn’t know this going into the reading, but finding out about it afterward made some of the dialogue make that much more sense.
I think this book reminded me of what it was like to be uncertain in my own brain when I was sixteen. From my past entries on here, you might wonder if that didn’t send me into a spiral of “oh no, I’m not better.” But it didn’t! I felt sorrow for Camila because through her introspection, I saw my own. I felt such pity for Dani and her need to have control over just one part of her life, feeling like she didn’t anywhere else. What I think this book brought out for me is my ability to see it from the other side. No, I’m not cured of depression and all that garbage, but I can carry it better. It doesn’t weigh me to the floor so I can’t move. There’s a difference between uncertainty when you’re sixteen, when the world falling apart is quite literal, and the uncertainty one feels in their thirties, almost forties. Flashes of being young and afraid go darting through like fireflies, the familiarity of “I’m not good enough and never will be” stabbing every so often. What was the future if it felt so bleak at sixteen?
It’s not so bleak (current world climate aside, of course) because I know I made it out of the previous bleakness. And that was really, really, really fucking hard for a kid to do. In some ways, the kid I never got to be still dances in the living room, singing at the top of her lungs words she never gets right, but being wrong with confidence is a gift. She gets to see what we become, and I like to think she’d be incredulous at how far past the expiration date we gave ourselves we’ve lasted.
It is a wonder. It is a true, unfiltered wonder.
So, yes, this book is young adult, and some of it is unrealistic, but if it reminds me of how far I’ve come, I’m okay with it. I gave this book 3.5 stars rounded up on Goodreads.
What have I been doing? Well, I’ve been putting the edits into a second content draft. That will probably be revised, parts rewritten soon. But I’m finding out more things about Milton Fogg that are just diabolical, as the children would say these days. I kind of hate him. But in that “he’s so bad he’s good” kind of way. I’d go on, but I don’t want to spoil things. I also am biased, so maybe he’s not that deep of a character. We’ll find out.
I’ve been doing a shiiiiiiiiiiiit ton of work on the language. Found a new phrase the Moarteans use. If they’re startled or uneasy about something, they say “the hair of my stomach is bad” or “hair of my stomach!”
somsuk res xixba-mi
They also, when greeting people formally, will say “Are you well?” if it’s someone they respect, or just, “You are well,” if it’s someone they want to have a quick interaction with. It’s not fully disrespectful, but it is barely polite if you are told you’re well instead of being asked if you are.
These creatures and their social niceties, haha.
There’s a phrase they use that’s an insult that I just love. It’s essentially “lick death” but the literal translation is “use your tongue on death.”
bren ostipa-ti kil moartea.
Sometimes I find myself talking to my brain in Moartean and I look at where I’ve been and where I’ve gotten to and I have this moment of “oh shit.”
Saw a reel from Steve himself, the Blues Clues Steve, and the question was “What are you most proud of?” and my answer is two-fold. First, I stayed and I’ve gotten to see my brother be a dad. His kids are perfect. I know all aunts say that about their nieces and nephews, but if I could show you just how bright my life is because I’ve gotten to see a person grow into who they are, because my brother is the man he is, I would give that to you.
But then take it back because it’s mine, ha.
The second part of that answer to Steve’s question is: I am proud of my words. The ones I toss together in books, but especially the ones I’ve made up. I’m obsessed with words. I love them with so much of my heart sometimes I forget to exist outside of them.
But that’s what nieces and nephews are for. To keep us real. To keep us from getting too far away from ourselves.
I hope you are doing well. I hope your words are friendly, and if they’re not, shape ’em up, yo. They belong to you. You belong to them. It’s a dichotomy of osmosis. Or some shit. I don’t know, wanted to be pretentious at the end here.
I’m grateful to you. For reading my words whenever I drop them here. Like little crumbs of my consciousness. Glimpses into the maze of TV static that is my mind. It’s not always awful in there. I do spend quite a bit of time in it, so I’ve found some nifty things along the way.
Feel the wind today. Let it lift your face to the sky and you smile at it. Give those clouds, the sun, the rain, whatever! Give it a smile and let it warm you even if it’s cold out. You are just as much a gift to it as it is to you.
I’m buried in edit mode, and I’ve been basically rewriting the whole thing. But that’s how edits usually go, right? It’s not the whole thing, I’m not that bad of a writer. But there are definitely spots that need some expansion. I’ve added about three hundred words so far, which sounds like I’ve not made much progress, but the way I’ve rearranged sentences and removed others entirely, it feels good.
I don’t really have much to talk about this round. I’m going to try and get back into reading a bit more now. Had a weekend of books, some gifted, some I spent too much money on. All adventures I look forward to eventually.
I hope you’re doing well. Maybe next time I’ll talk about how I find little pieces of real life to stick into my main character’s life. Scenes along a road. Drifting in limbo of a sort.
I, as you may know, am a fan of the screams. The music kind. I’ve spoken multiple times about my love for Sleep Token, and there are several other bands I enjoy just screamin’ in my earballs every now and then. I had the opportunity to go to a concert with two of my favorite concert buddies over the weekend, and I got to hear some of the best screamies I’ve ever experienced live.
I got to see Bad Omens live at Louder Than Life last year, something I won’t be repeating (the festival part), and that was kind of my first exposure to the band. To be completely real and rude, I didn’t like their song “Death of Peace of Mind” when I first heard it on a random Spotify Sunday. And then I heard Noah sing everything live and I understood exactly why he is so beloved. The man has range and I am here for it. Not only that, but the drummer for Bad Omens is insanely talented. II from Sleep Token gets a lot of accolades–well deserved, of course–but buddy boy Nick is also amazing. The whole band looks like they’re having fun, and that is always something I will love.
The show started with President. I’d heard two songs by them before we went to this show and I was less than impressed. Not a problem, really, I don’t need to love everything. But live? Holy balls, they were somethin’ real nice. I felt the lead singer was trying too much to be cinematic at times with his poses in the lighting, but as one of my friends pointed out, there’s only so much one can do on a stage sometimes. Which is fair. I don’t hold that against their performance because overall, I really liked what I heard. My watch buzzed at me to calm down a few times, because the thumps got me palpitating, haha.
Not the tall man (context below), but someone having a really good time and I liked the visual.
Beartooth is another band I’ve vaguely listened to now and then. I wanted to kind of prepare myself for the show to know some of their songs before we went to see them, but I drifted back to Sleep Token more than I didn’t. This portion of the show became a little uncomfortable for me because of my aversion to crowds. I know, you don’t like crowds, so why go to concerts? Because I like music and I try to do uncomfortable things to show myself I can. Well, at one point during this portion, a very tall man stood in front of me and my friends (he was 7 foot 1 inch, as he claimed) and blocked pretty much everything. He said he was trying to get into a mosh pit, which, fine, okay. I was already hyped up from being in a crowd of a bunch of people.
One moment I was standing with my friends, the next I was shoved really hard away from them. My flight mode kicked in and my whole brain went silent except for “DANGER DANGER DANGER” and I needed to get away. Bless my friends for trying to help me, but I had to leave the spot we were. I pushed my way through the crowd to the side and kind of moved back to the end of the main clump of people. My watch was definitely buzzing.
But! All is not lost, because I was able to see and hear much better from that vantage point.
As I said, I’ve not experienced much of Beartooth’s music, but I am definitely going to add them to some playlists. If I may be cheesy for a moment, I think one of my favorite parts of live shows is getting to hear the roar of a crowd. Except it’s not really a roar. It’s more like TV static from when TVs would go off-station. Just a quick, loud burst of a buzz before it quiets. It’s one of those feelings I can’t quite describe accurately, I think, because it’s like when I’m in the woods. I feel so big and so small at the same time. I’m part of a bigger thing, in a room full of people I’ll never see again (excepting my friends, of course), and we’re all there.
You can see where I moved to be away from the bunch of people for the rest of Beartooth, haha
There was a part of me that felt a little like I’m a loser because I couldn’t handle being in a crush of people. That I’d “abandoned” my friends to go be by myself because my brain doesn’t work right. But I didn’t leave the concert entirely. I moved to where I wouldn’t feel trapped, and I was able to still be part of it. The music still made my watch tell me my heart was too fast. I still ignored that. I’m pretty sure I looked pissed off because I just have one of those faces. My eyes closed against the flashing lights several times, but that added a new layer to the music for me. Sound has always been more important to me than visual, anyway. Between Beartooth and Bad Omens, I went with one of my friends to stand in a merch line. Which is an entirely new experience for me as well. I got shirts that are too big for me, but I have things to remind me I did something uncomfortable, didn’t die, and I enjoyed the music.
Bad Omens is ridiculously good live. When I heard them at Louder Than Life last year, I was blown away by the talent and class of their performance, and it was just as good, if not better at our Detroit concert. Noah said at one point how he was nervous, and he always gets nervous, but for some reason that night he was extra nervous. To which the crowd cheered support. And then he got right back to singing like he wasn’t actually nervous.
Because I am the person I am, that moment made me a little sad. I had the (entirely) original thought that it must get lonely sometimes for big-name musicians or creative people who perform. Like all celebrity worship tends to be about the way the person presents themselves. We are fascinated by who they are, and we learn all their “stats” like we’re going to be their best friends, forgetting sometimes that they exist off stage and they aren’t famous to the people who know them best. They’re just friends. They’re family, they’re people.
Like I said, not an original thought, but it must be so surreal to have tens of thousands of people full of adoration for you, and they don’t really get to know who you are. Not like your parents know you. Not like your best friend does. The ones who sit on the couch with you and play video games, or you bring presents to their kid’s birthday parties. You’re just you, and you don’t need to be the stage persona.
All of that to say, I am really grateful I pushed myself out of my comfortable place to be part of the audience at this concert. It was fun. It was a break from the reality of the world falling to pieces around us. I stood in the cold for about an hour and some change. I passed bracelets I’d made to strangers. Had small conversations with the nice guy behind me and my friends in line waiting to get in. We were cute, we were frozen, but we were happy.
Hi, hello. I’m running behind and I have to get ready to leave for work in … now. But I wanted to put some thoughts down before I go too far away from them. I’m working on the edits for Lazarus. I keep calling it Lasagna in my head, so that’s fun. I’m also embarking on a more serious dive into the language creation aspect of my series, and I’m really quite excited about it. I have some regret in publishing the prophecy as it appears in Fulcrum, because I’ve had some understandings about the language that can’t be undone, BUT there’s a possibility I can maybe stretch things a bit depending on what words I already have and so on and so forth.
That’s all for right now. Short and sweet, and now I leave you with the idea of a good time.
Two posts in one day, what a time to be a chive, huh?
So yeah, as the title says. I took myself to the movies today, something I very rarely do. I don’t enjoy being around people I don’t know, especially when I’m trying to watch something and I might have feelings. But I wanted to support this film as the story is one of my favorites. Bram Stoker’s delivery aside, I think at its core, Dracula is a love story, and it’s the type I find most beautiful: the yearning.
First of all, whoever made the choice to cast Caleb Landry Jones as the count, give them a raise because my fucking god. I am actually struggling to find words other than just noises of astonishment. Incredible performance. He gave the right amount of camp and the 100% perfect amount of obsessive yearning the role demands. And it looked like he had fun doing it, so that added even more of a level of delight for me. I love it when it looks like someone’s having fun doing a project. There’s a moment (sorry for spoilers, but the story’s been out for decades and decades, so hush) when the count bites Mina, and I swear to the sun and all the planets in the sky, the anguish in his eyes at understanding what he’s just done. The shame, the despair. All of it, right there in his eyes. JUST his eyes because of how it was shot.
Christophe Waltz plays… himself. I don’t mean that badly, but he tends to deliver the same performance in most of what I’ve seen him in. Which for this role? It was perfectly fine. The priest needed a bit of sarcasm and nonchalance in his delivery of the most brutal lines. He’s been part of an order searching for the head of the snake, as it were, for four hundred years. I think they’re allowed a little macabre humor.
I keep getting stuck in my thoughts about Jones’s performance. I want to tell people to go watch it just to see him on screen. Is he this arresting in his other movies? I haven’t seen them, so I can’t compare, but I might need to if this is what he delivers.
Danny Elfman composed the score for this, and there’s the typical Elfman swoops and swings of the strings. Typical sounds rude, but maybe I mean classic. He’s got very distinctive style, and you can always tell when it’s him on the score because he has that kind of waterfall swoop of strings, and there’s a choir in there somewhere singing.
I’m gonna need a moment before I go do other things. What a way to spend a Saturday afternoon, huh? I need this to come out on … DVD? is that what kids use these days? Blu-Ray? I want to own this.
And that’s all I have for now. Thanks for stopping by my even further rambling thoughts.
Until next time, friends. It’ll be longer than a few hours, haha.
Salutations and saturations, friends. It’s still cold as balls. I’m slowly editing Lazarus, and that’s about all there is to it. I haven’t really done much in the way of writing yet this year, and while it’s a little weird that I haven’t, I’m oddly okay with it.
I have two big projects I want to get done, publish Lazarus, and then get a first draft of a hard sci-fi story I got inspired to do a little while ago. I have a lot of plans for future projects. Short stories and so on.
It’s February. I just realized how very little I blogged in January. I wasn’t really doing anything. Just working and … probably watching too many episodes of X-Files (Walter Skinner can get it, yo, god damn.) But now I’m on a different shift at work, so my mornings have been freed up quite significantly. I’ll find a balance, but I think I’m going to enjoy very much the time before work to be productive.
I’d always have such ambition to do stuff after work, but I’d get home and want to do nothing. Work all day to go home and do more work? No, thanks. But with the before work hours of free time, I’ve done so many things. I feel unstoppable. Which is probably just the manic part of my depression getting all demonic and cackling as we burn out. But I’m going to view it as a good thing for now.
I chopped up five pounds of onions this morning to put in the freezer for when I want to make a batch of soup. I did the same with some celery and some carrots. I’ve been meal prepping all the things, and it has been incredibly helpful as someone who doesn’t like spending money on fast food stuff. I’m cooking so much more for myself and it is a gosh dang delight. I made red lentil curry that gave me the biggest joy I’ve had in a while when it comes to food.
That’s not writing, but life aids the story. I’m reading the second book from my Bingo Board. I don’t know if I’ve talked about that yet. Last year, I did a bingo board of things I wanted to do in 2025. I did about half of them, which was neato. Didn’t get a full bingo because I set it up strategically so I wouldn’t get one unless I did the fitness things. Clearly, a strategy that didn’t work. So, this year, I went for books. I picked thirty books I want to read and I’m marking them with stars once I finish. I know bingo boards only have 25 spots, but the extra five are “bonus bingo.” Books I have in case there’s one I decide I really don’t want to read. There’s one I’m toying with not finishing, and it’s one I’ve tried to read several times. But that’s me, never wanting to give up on someone or something.
The first one was the previous post on this site, The Sun Also Rises. My goal is to do a book photoshoot after I finish one and then do a book post on here. We’ll see how well I do! I look forward to it all, really. Some of the books are ones I’ve had for a long, long time. I do still want to read them, which is why they exist on my shelves and not in the donate piles.
I think that’s about all the news from this side of the trees. I hope your books are comfy and your words are easy to find. I’ll talk to you soon, probably. I’ll always find something to yap about!
This is my first experience with Hemingway, unless I read one of his short stories in college. I have to say, while I’m not enamored, I felt something about this book. Hemingway is either non-descriptive, or too specifically descriptive. He’s dialogue heavy. His characters are allegedly boring, and yet there’s something of the melancholic hopeful throughout this. It’s very easy, to me, to see Hemingway’s mental state in the pages.
From page 42: It is awfully easy to be hard-boiled about everything in the daytime, but at night it is another thing.
From page 152: Enjoying living was learning to get your money’s worth and knowing when you had it. You could get your money’s worth. The world was a good place to buy in…. Perhaps it wasn’t true, though. Perhaps as you went along, you did learn something. I did not care what it was all about. All I wanted was to know how to live in it.
There are several small moments like that through the whole book. Snippets of a glimpse into someone trying to live the life he thinks he’s supposed to, but not seeing the point of much of it.
I’ve noticed with the classic authors, male in particular, they have a peculiar way of approaching love in their stories. Hemingway’s character Brett (Lady Brett Ashley) is known for her “flighty” ways between men of the story. She has had affairs with just about all of the main circle. He never explicitly says this is a problem, but for the time this book was written, I’m not sure if he was trying to make her out to be as lost as the rest of them, or if he was trying to make a comment on women in general.
Brett is quick to fall in love, and there’s a part of me that wonders if maybe that’s more her way of trying to find a connection that makes her feel “right.” She’s very much a flash in the pan type character, where her whimsy takes flight about as frequently as it lands, and I think she’s a strong character in many ways.
This is the kind of book that I’d write a whole paper over. Not just a review. There are several layers to it, where we can go into why Hemingway was so focused on the bull-fights in the second half of the book, and what he was going for with the descriptions of the fiesta. The motivations of characters like Robert Cohn, who is a very weepy man in love with Brett and despondent he can’t be with her. Or Bill, who hides his pain in his humor. Mike, who drinks to excess because he can’t face his fiancee is unfaithful, but tries to put on a good show for the others about it.
And then there’s Jake. The journalist who’s just trying to find his place in the world, as with all the others. It’s a thought provoking book in many ways, and I think it was a good Hemingway to read. There are several of his technical elements that made me pause, especially where it seems he has descriptions that appear redundant, but maybe that was the way in his time.
Overall, I would say this was a good book to start my Book Bingo Board with, and I give this 7/10 stars.
Snowflakes float in whirling dances from a gray sky. Dusting the leaves carpeting the back yard. Silence broken by the electric kettle bubbling in the corner of the counter. Boiling water for a cup of tea that I’ll probably let go cold before I remember I made it.
The question sits on my spine. Gentle and heavy all at once. Where did you go?
I stare out the window at my big tree. I call him Charlie Boy. The thought hits me, that he isn’t mine. I wasn’t here when he was first planted. But I’m here now. I worry about him when the winds are too heavy in the summer. Or just the other day when it buffeted my car on the drive home from work. I worried Charlie Boy might not make it. Because the elder things of the universe I inhabit are precious and lift me with life.
I hold out my hand to the person I was four years ago. I ask her to forgive me for getting lost. She wants to know about it. Where I disappeared to. How I found my way back. I don’t have the heart to tell her I’m still a bit aimless.
Are human beings the only sentient things that yearn? Because sometimes I get so tangled in a web of yearning that I forget to breathe. I yearn to dance like the snowflakes. I want to feel the way the wind blows through my branches, like Charlie Boy.
I am finding pieces I set down along the way. Pieces I deemed not necessary for the misery percolating in my pancreas. How can I be sad if I am smiling all the time? How can I be tragic if I am full of kindness?
I want to see where I go, so I’ll keep walking forward. Hand firmly clasped in my past self’s fingers. She got me here, I won’t let her fall behind. I’m grateful to her. For carrying us this far. But it’s time she got some rest.
salisbury.fake 