Salisbury.Fake Life, Weekly Update

Bolt Madly Toward Yourself

While I wish I could claim credit for that phrase in the title, it comes from an article written by Chuck Wendig (I’ll link it below, should you be so inclined to read it). It’s been on my mind recently, just that phrase, because I always hear people saying to chase dreams, and while I agree we should go after worthwhile endeavors (you decide what’s worthwhile, I guess), I think we should instead chase after ourselves.

Not in an “oh-shit-there-I-go-again-better-stop-me,” kind of way, but more of an “I’m-actuallly-kind-of-cool-what-else-have-I-missed-by-hating-myself?” kind of way. I’m not saying it will get rid of the insecurities we plague ourselves with, but once you get past all the reasons you’re terrible, maybe you’ll see you aren’t actually terrible.

I’m not an art success by any stretch of the imagination, but I want to become a watercolor artist of sorts. I want to do tiny paintings, and so I’ve taken steps to start practicing. As well as practicing hand-lettering because I think it’s cool when people do that kind of thing. It takes practice and sometimes I’m so much of a defeatist that when I don’t get something on the first try, it’s suddenly garbage and I don’t want to do it.

Bolting madly at ourselves is a way of saying enough is enough. It’s a way of grabbing hold of your own shoulders, metaphorically, and staring yourself in the eyes and seeing that you aren’t the bile pile you somehow convinced yourself you were.

It’s a challenge. To the things that keep you up at night. To the people who planted the seeds of discord in your heart. It’s a direct refusal to be anything less than who you are and while that sounds so damn simple and stupid out loud, let it sink in. Because we are more than what we let ourselves tell us we are. I believe it wholeheartedly. It’s why I’m still kicking. Literally fighting for myself because I never have and I’m tired of seeing the same disappointment every time I have a set back in my progress.

This is a month I’m focusing on my goals a bit harder. I want to prove to myself that I am capable of changing my habits, changing the things about me that keep me from being who I want to be. I write in my journal about it so often, and I get irritated that I keep slipping back into the “comfort” of who I am right now. Not bad, but not what I want.

I challenge you to do better for yourself. Start doing something that makes you feel real. Hopefully that’s nothing harmful to you or others, but I’m not your mom, so I can’t tell you what to do, really. But you owe it to no one but yourself to start seeing yourself as real, as important. As worth the time. I promise I’m working on it more.

Until next time, friends.

The link to Chuck Wendig’s article is here:

http://terribleminds.com/ramble/2012/01/17/25-things-writers-should-start-doing/

Salisbury.Fake Life, Uncategorized, writing

Poem I Wrote for a Boy, But Now Give to a Man

I never told you,
but when the sky is blue–
the kind you find on marshmallows
in Lucky Charms–
I have to take a picture with my eyes
and imagine you can see me.

You know,
I never said this when you were here,
but you made life breathable again.
It’s gotten hard to breathe
and I don’t know what to do.

I read recently that nostalgia lies to us about the people who’ve died. How we spend so much time remembering the good about them, and not really thinking about all the ways they’re awful. And it made me wonder, well what’s wrong with that? Why do I need to remember the ways a person hurt me when I want to be happy with the memories of them that bring me joy? I’m not offering them sainthoods in their next life, I’m offering myself respite from the grief of loss.

I’m fine, really. This week’s post is a poem I wrote back in 2013 and it was originally for my friend Robbie, but as I read it, I thought of Henry. It’s almost unfair how much of my creative processes get devoted to him, but if he’s been the reason I still write, or paint, or give light to the world, I don’t think that’s wrong.

Salisbury.Fake writing

From My Journal: Character Sketch

Serena Shorn

  • Naturally brunette, dyes her hair platinum blonde
  • 5’6”
  • Blue eyes
  • 132 lbs, very fit and toned
  • Usually wears “preppy” clothes, pastel colors (rose colors make her very happy)
  • Loves high heels

Serena is Zelda’s oldest daughter, and Frankie’s half-sister. She’s a tragic character. She has spent most of her life trying to be something everyone wants. She has no idea who she is. Feels inadequate next to Frankie. Even though she got married to Logan (will be posted another time), she sees how her sister is successful with her job, her house, etc. Frankie is happy even though she has less than Serena in terms of material possessions. Serena’s discomfort with how little she likes herself is something she doesn’t talk about because she sees it as weakness. She believes she should be silent about her struggles so no one knows she feels so aggressively to herself.

Her relationship with Logan is difficult. He’s verbally and psychologically abusive. She does her things to keep some form of control over her life, but comes off as high strung, high maintenance. Again, though, it’s her way of maintaining how people see her. If she is the one with the attention, controlling what people see, she makes sure no one can tell she’s lonely. She overheard the wives of the country club calling her a trophy and she cried for a long time about it.

Serena and Zelda have a rough relationship, too. Serena thinks her mother only cares about Frankie. This isn’t true, but the “evidence” she uses to prove it usually ends up being things she’s blown out of proportion or twisted out of context. She tries to bend events so they fit her narrative, and when they don’t, those events are like they didn’t exist to begin with. She doesn’t have any true friends. There is one wife at the club who feels sorry for her and tries to help her, but she takes her kindness as judgment, so she pushes her away.

Serena doesn’t want to believe Logan would ever be anything other than loyal. If she ever suspected the opposite, she worked harder to be what he thinks she wants. She suffers quietly for what she believes is love. When she is murdered, she dies knowing Frankie is on her way to help her, that even after all the years of fighting, the verbal abuse she threw at her sister, Frankie still loves her and is coming to save her.

It is truly a massive loss for Frankie, one she attempts to avoid dwelling upon. While she still has her mother, until the end of Fulcrum, she loses the chance to rebuild her relationship with her sister, a loss that begins Frankie’s emotional growth.

Salisbury.Fake Life, Uncategorized

Acceptance

A small backstory for this is I lost a friend of mine a few years ago when he took his own life. For the longest time it crushed me because I was worried I didn’t do enough to help him, to keep him. His birthday is today, and in the past I’d become a useless mess because I didn’t want to face the overwhelming sadness. I miss him most especially today. The piece below is something I wrote last year for him. There’s sadness today, but also joy because I got to know him even if it was for a short time.

Acceptance

It takes a lot of effort sometimes to remember the good moments when you’ve lost someone really close. Sometimes the grief is more than a wave. It’s a vacuum and you can’t feel anything but the pressure of that loss, the pressure of the absence of the person you loved. They can’t make jokes about how innocent you were. They can’t send you twenty-five YouTube videos of their favorite metal songs for you to wake up to. They can’t stay up until all hours of the night just because they love the sound of your voice.

You romanticize these moments. Look back on them with a fondness you never felt while they were here. Because they were here. You didn’t need to remember them fondly yet. You could keep talking even though your throat was sore and the birds were chirping and oh shit, man, I gotta work in four hours. I’ll talk to you later.

You gave so much of your love without knowing you had and now there’s nowhere to put it. So it bubbles over and leaves you with a displaced mess of smiles for boys with an Irish lilt to their voice, for those friends of yours now who ask if you want to talk about history, or go into why you’re slacking on your writing. You no longer hear that beautiful voice, but you remember the way it filled your heart with a hello, hey, I missed you.

It’ll be all right, you tell yourself. And it is. It’s absolutely okay. But sometimes it’s okay to miss them and accept you’re still sad about it.

written july 27, 2020

I watched Bo Burnham’s “Inside” last night and it’s kind of stuck with me in a big way. It rendered me speechless, but it was 2 A.M. and I was lost in remembering Robbie, lost in the sound and art of “Inside,” lost in wanting to just create forever. The world can often feel too large and yet still too close all at once and it’s so easy to get stuck in a loop of existing. Letting the world slide over you while you try to come back to what you’ve worked so hard to become. It ends up feeling like nothing.

But there’s a moment. A last ditch effort, that sniff of “not yet, I can’t give up yet,” and it propels you forward for a moment and lets you feel real. Like you’re invincible and everything is yours.

On my drive home at the end of summer, when the days start getting shorter, and the sun hangs lower in the sky at 7 p.m. The gold covers the earth and for a half hour I am okay. I see the world as I love to, without the filter of what keeps me up at night. It is striking and stunning and it is mine. That is the world I exist in with Robbie. With Henry. With all the ones I love. It’s the rush of air coming in through my windows, in the breath of sweet grass baked in the sun all day. I am the realest I’ll ever be and it is enough.

Salisbury.Fake writing

From My Journal: Character Sketch

Zelda Frankovitch

  • Born in Lexington, but parents moved to Lowell when she was five
  • black hair to her waist, curly
  • brown eyes
  • 5’7”
  • 141 lbs
  • glides when she walks
  • angles instead of curves, sharp features, but still soft

Zelda is a sunrise. She is vibrant and brings a room together simply by being in it. She is Frankie and Serena’s mother. She loved Milton Fogg at one point, but he erased her memories of him. He claimed for her safety, but it was really so he didn’t have to be a father or husband. This removal leaves scar tissue which Dr. Rodrigo Ark then removes at the end of Fulcrum. Zelda is killed in front of Frankie.

She is an only child. Instead of this spoiling her, she learns independence fairly quickly. This is what her first husband, Ed Shorn, admired about her. Until he thought she should spend less time on her career and more time being a wife. When Zelda instead turns her focus further on work, Ed begins a relationship with the nanny. While this hurts her, by this time, there is no love left for Ed. She lives for taking care of Serena after she fires the nanny. Still manages to make partner at her law firm.

When Ed dies, she moves on with Milton. By the time Frankie is born, however, Zelda is alone to raise her two girls. She doesn’t actively search for dates. She spends less time worrying what others think once she understands the basics of how people work.

Zelda is gracious and graceful. She is often found in long, flowing dresses. She loves gardening and food preservation. She wears a ring on her left middle finger, but is unsure why. It’s her wedding ring from Milton. She was deeply in love with him. She would have been devastated by his loss. Part of the depth of her love for Milton comes from the arrangement of the Thrice Unbound. With how she felt about him, the lingering love kept her from finding someone else.

She loves her children, but her relationship with Serena is not what she wants it to be. Frankie is her favorite by no reason other than she spends more time with her. She’s worried about her because of how little emotion she exhibits. She thinks there is something wrong, but can’t say anything because they don’t have serious conversations anymore after Frankie leaves home. Serena gives Zelda grief over her lifestyle–alone, in a big house, no desire to be anything other than what she is. Zelda sees a lot of herself in Frankie, while Serena is very much like Ed.

Zelda is driven. She throws herself into each project she’s assigned at work. She has a determination to prove she has what it takes. Her biggest fear is letting her daughters down. She doesn’t believe in God. She likes candied pecans. Her favorite color is dark green. Her favorite board game is Clue. She puts her keys in a bowl by the door. Frankie made it in elementary school, but lost interest halfway through, so it’s more of a plate than a bowl, and only painted in blobs and splotches.

Salisbury.Fake Weekly Update, writing

It’s All In How You Say It

Hey, how ya doin’? I hope you’re doing well. This blog is a sort of update on my writing projects. Not only am I reworking the first book of my trilogy, I’ve made some progress on my worldbuilding journal. I finished the setting discussion for Lazarus, including the history of Moarteans. It was a lot of insight into a world I neglected during my first few go arounds on this story. Discovering an entire culture has been so satisfying. The rise and fall of leaders, the growth and stagnation of policy, the wealth of “art” history. I say “art” because the Moartean way is more scientific, and more visceral. They aren’t a romantic bunch of people (in terms of love or historical era), so they tend to dwell on the pain and suffering aspect of life a lot more than the people of Fulcrum (our world).

As I was developing this background, I was thinking about how there’s this phrase that they use as a kind of blessing, “nantu sonsprek moartea-hi,” (the strength of the dead goes with you), and it struck me that this was a small insight into their language. They came up with a new language as a way to be above humanity and it slowly spread to the mega cities. Some humans of Lazarus can speak Moartean, but mostly it’s just used between the Moarteans.

Which brings me to my coolest thing I’ve done so far creatively. I am creating the Moartean language. Actually creating their language with real words and grammatical rules and there will be poetry, scientific literature, regular literature (all of that will be alluded to, because I’m not that cool yet). I’d kicked the idea around in my head for a while because I liked that they had a different way of speaking. It elevated them above the humans and then it became their way of surviving. Which is hella vague, I know, but the book explains more.

The words have a sound that’s got a combination of several of the Romance Languages, Russian, and Japanese/South Asian. The reason for this? It sounds good. The word for star is gakima (the plural being gakimai) pronounced “guh-KEE-muh” or “guh-KEE-muh-ee” and the word for everything is winexi, which is pronounced “wee-NEY-zhee.” There doesn’t appear to be a pattern to the words or anything so far, but I feel that’s accurate for the Moarteans in their earlier arrogance. They wouldn’t want the humans to learn their words.

So that’s where I’m at currently. Still working on the actual story, yes, but my side projects are keeping it all fresh in my head. I know my approach to writing isn’t necessarily what will work for others, but I enjoy sharing the process and the side bits to hopefully help others in their work.

Until next time, friends.

Salisbury.Fake writing

Brought To You By Powdermilk Biscuits

“Don’t be so hard on yourself,” they say,
their hands poised to slap me.
I know they think I’ll fight back,
but I won’t.
I gave up years ago
when my father left us
for the theatre
(I think that’s what we called it)
and I let the fight in me
go with him
because he’d need it
to get me to love him again.

Disclaimer: this is not about my actual father

Salisbury.Fake writing

From My Journal – Character Sketch

This week, we’re going into my world building journal and taking a look at the main character of my Maker trilogy, Frankie. There are a lot of traits in her that I have myself, but that’s the truth of almost all writers. Injection of our best and worst qualities feels like the thing one does when one tells stories.

Brangienne “Frankie” Frankovitch

  • Born September 12th, at the time of the story, she is 25 years old.
  • 5’7″
  • Brown eyes
  • Black hair (long, almost to her hips, impossibly curly, usually worn in a braid)
  • Average weight, about 132 pounds
  • Daughter of Zelda Frankovitch
  • Sister to Serena Shorn

Frankie is from Lowell, KY. She lived with her mother for a few years after high school when she’d saved up for a down payment on a house. Now she lives on her own on the south side of town. A friend from high school, Sam Wiseman, returns from a military tour or two and needs a place to live. Frankie offers him a room. She helps him get a job at the grocery store where she works.

She is close to her mother, not so much her sister. They have Sunday dinners, along with Logan, her brother-in-law. These dinners are often emotionally explosive between Serena and Zelda. Such a contentious life and relationship makes the sisters sometimes seem like enemies. As such, they see each other infrequently.

Frankie is not an overly loud person. She tends to keep to herself. She isn’t anti-social, simply prefers to remain alone. She has a very dry sense of humor and often finds terrible jokes to pass to Sam while they’re supposed to be working. She is loyal almost to a fault. Once her opinion of someone is formed, she takes a lot of convincing to believe otherwise–both in a positive and negative way.

She is frugal only because she doesn’t want to buy needlessly. Her most frivolous purchase was a television. She thinks Cottonelle toilet paper is a luxury. She tries not to buy anything sold in plastic, but living the way she does is good only if she can be consistent, something Kentucky isn’t known for–at least not in Lowell. The only thing consistent about Lowell is everyone is privy to your business regardless of if you want them to be.

Frankie does not believe in God. She does not lose sleep over this. As of this writing Frankie is scared of nothing. Of course this changes when she witnesses a murder of someone close to her. Her mother. She loses sight of good things for a while, which adds yet another layer of what she has to do in The Keeper of Time.

Alongside her fierce loyalty is her ability to remain emotionally detached from situations and people. Even when she learns who her father is, she struggles to feel much of anything. Granted, she learns this right at the same time her mother is killed, so people tend to think she’s stuck in some kind of emotional limbo. She loves deeply despite her lack of attachment. Almost like it’s real if Frankie feels it.

She loves the color blue, and hydrangeas are her favorite flower.

Salisbury.Fake writing

The Girl Who Said Goodbye

This week we’re doing something a bit scary for me. I don’t often share my writing publicly because it’s often something I consider too personal. Good approach if I want to get published one day, huh? Anyway, this is a piece I’ve worked on off and on for a little while. It’s about death and the afterlife, so if that is something you find troublesome, please skip this post. Otherwise, I hope you enjoy it.

A dry hacking sound tore through the house. From under the covers on a crumbling bed, a papery hand reached for the glass on the table, fingers trembling on its smooth, cool surface. Empty. Frederic knew it was, but with everything, he’d forgotten. He coughed again. A fit overtook him and if he could have crawled to the bathroom to spit the blood, he would have. Sunken with age, his chest heaved as he tried to get a full breath of air. The coughing died to a steady wheeze with each shallow pass.

Something clattered on the stairs. Fear froze his stomach. He cried out, a pathetic, weak sound, and covered his face.

Someone burst into the room, shattering the warped wood of the frame. A woman with matted and tangled black hair staggered in. Paler than a sun bleached mouse skull. Her coat, an army green thing, shredded to her elbows with strips of mangy fabric dangling as she searched the room. She dug into the pocket of her khaki colored trousers, a small notebook in her hand. She flipped through it as she studied the room, nodding to herself. Her eyes landed on the lump on the bed.

At first, Frederic thought she was there to rob him. She certainly looked the part. No shoes. Tear stains left salt crusted trails down her cheeks through the dried muck smeared on her skin. He watched her as closely as his tired eyes would let him. A quiet beep made her check her wrist. She looked at him, her eyes suddenly clear, a bright green piercing him with kindness. She smiled and the fear left him.

“Will you open the curtains?” Frederic gestured to the window. His voice cracked like dry leaves on a sidewalk. “The curtains.”

She shook her head. When she spoke in English, his shoulders seemed to sink into the mattress further. Her eyes closed and she tipped her head back, as though trying to remember.

“Je suis desole,” she said, her accent marring the fluidity of his language.

He nodded and pointed, the weight of his arm almost crushing his chest. “Please.”

She went to the window and waved at the heavy fabric. “Oui?”

He nodded once more. She pulled one side over, and then the other. A sigh deflated him.

“It has been three days since I’ve seen them, the stars.” He tucked his hand under his cheek and smiled, his watery blue eyes bright. Tears slipped over his nose, but he didn’t bother to wipe them. “I have not seen–“

She sat on the bed by his knees as he wept what was left of his tears. The sound of his dying filled the silence. No death rattle, simply weary breathing. The woman remained on the edge of the bed for a while after he inhaled one last time.

She wasn’t ready for the next part. She never was. With a shuddering sigh, she shook herself from her head to her toes and cracked her knuckles. The soul was in there, waiting. She could feel it radiating from just below his ribs. Not quite the stomach, but just above it.

“Let’s get you home,” she whispered and stroked his cheek.

Her body trembled as she looked into the ceiling, her eyes going completely white. Offering a quick word of what could have been a prayer, her form shifted into an ethereal translucence, making her look almost dead herself. She plunged her fist into his chest. If she’d been solid, she’d have snapped his ribs. But she didn’t need a body for this.

One more deep breath and a hard yank. She held his soul, its tendrils spilling over the palm of her hand, trying to fill the body below once more. She gently folded it together and eased it into her satchel. She touched his forehead, a sad smile on her cheeks. His eyes remained open. He’d been without the stars long enough.

—

The woman, Gabriel, clambered down the stairs, her form solid again. She made sure to leave the door open, something she always did for those like Frederic. Pausing, she looked back up at the bedroom window. She blew him a kiss as she backed out of the front gate, past the delphinium and hyacinths, the tall wild grass choking the fence. She sent one more kiss his way, and waited, her hand at her throat, as though she could stop the weeping behind her teeth. She wiped her nose on her dirty sleeve and stepped off the curb in front of the bus speeding toward the city.

It caught her as it always did and she swung herself up onto the roof. Flattening against the cold metal, she let herself become translucent once more, part of the heat emanating from the warm bus inside. A shimmer passing by. She held her satchel closer, remembering the man she held. Hoping they’d find him soon.

Fifteen minutes later, she let herself slip from the rooftop and land on her feet beside a bus stop. She plopped herself down on the bench and sighed as she rubbed her eyes. Getting back to the underworld wasn’t the difficult part, but she always hated the sensation of leaving behind part of herself every time. A few deep breaths later, she clenched her fists and gave over to the pull all souls feel from the beyond.

It dropped her at the entrance, similar to the way grand hotels looked from the inside, the afterlife’s way of giving the departed a peaceful sendoff. She pushed open the door and stepped onto the street. The hazy gray light bounced off of empty, dilapidated buildings. Her feet knew the way, and she let herself get lost in her thoughts as she made her way to her final destination.

She loved them, those creatures she carried. They represented the good of the world she’d left behind all those years ago. Her task to give the souls their last bit of love before they rejoined the stars in the underworld sky made it less challenging. Often she’d be whisked from place to place, though. Too many died alone, and she couldn’t let that happen.

But she found them. All the same. She found them at each and every bedside, each broken bridge, the crumbled stairs in buildings long abandoned. They wandered without someone to hold them in, those souls, never straying too far, however, from their bodies. Just in case.

Gabriel knew she had the job no one else wanted. It was most difficult on a day with suicides, car accidents, and stillborns. But she treasured those souls a little more. Carried them in special paper she’d designed from the sea kelp to keep them from getting crushed by the others in her bag. Some of the gatherers didn’t like souls. Found them too alien. Smoke monsters, she’d heard them called. But there was nothing monstrous about them.

They all mattered. Every single one of them. Who else would show them a final act of kindness before they left? Certainly, she was lonely. No one talked to her much after they learned how long she’d been assigned to this task, how she asked to be left on it. The veterans accused her of enjoying the death. The loss of life.

It was quite the contrary, of course. Gabriel felt the life in each soul she emancipated from its husk. The joy. The sorrow. The anguish, the moments of love—all of it. Purer than the way a baby smiled at her mother for the first time.

The smell of salt made her lift her head. She turned down a side street and kept going even past the brick wall blocking off what lay beyond it. Special privilege for gatherers and all. She pushed through a heavy gate, the rusted hinge finally cracking off—salt water made short work of that. No one came here. Not anymore. The monocrhome waves of the TV static left bitter aftertastes in their mouths.

She sat slowly at the edge of the water, a grimace smudging her face as she scooted closer to the sea. It hurled itself at her.

It knew of her prize.

“I know, I know,” she said, petting it like a cat. She opened her satchel and pulled out the soul. Shaped like a dome, it wobbled in her palms, going dull in the black and white of the shore. All souls did. She blew on it a little, the tendrils floating when she stopped.

The sea waited. She lowered her cupped hands into it. As soon as Frederic’s soul touched the static, millions of others lit up the sea all the way to the horizon. A low hum resonated in her chest as he drifted away, the water like seltzer on her toes. She smiled.

If your bones be heavy things,
lay yourself down at my feet.
I will bring you safely home,
wherever it may be.

Salisbury.Fake Life, writing

How I Write – Workspace

At a desk, the kitchen table, sprawled on the couch, propped up in bed, the dashboard in my car on a lunch break, under a tree at the park, in full view of people so they can see me writing: I’ve done it all. I’m sure you can tell from the title that this post today is all about my creative workspace. I have a couple, and they’re all in the same room, so let me talk to you about them.

When I was house hunting last year, one of the requirements was 3 bedrooms. Not because I have a family or plan to have one, but I wanted a guest room, and an office. Most of my life I’ve never had the space to feel free to make a metaphorical (or literal) “creative” mess. I’ve either confined myself to my bedroom to write, had my desk available, but it functioned as a holder of other things and less like what a desk should be, or I’ve had to use the kitchen table. This isn’t a problem because it’s a lovely thing to have a kitchen table you then have to clear away so you can use it for food. But I still wanted more.

So, when my realtor showed me this house, the master bedroom fit my visions of the perfect space. When I moved in, my sister helped me paint the back wall “Delft pottery” blue, and I’ve been putting up all the things that inspire my creativity. A signed poster from my favorite singer/songwriter, Zac Hanson’s scribble on a piece of notebook paper I had in my bag, Dried flower, my sister’s artwork, a photo of my niece’s foot she took herself, a map of Middle Earth from a very dear friend, and more yet to come. (I’d post a photo of this wall, but I also have photos of my friends and family and I don’t want to expose them to the internet outside of Facebook).

I fully believe in having a dedicated space to be productive. Whether it’s writing or other creative projects, I think it’s important to have a place your brain automatically knows “it’s time to work.” I’ve got two spaces for working, both in the same room, so when I come in here, my mind switches to productive mode. Whether I’m sitting at the art space or at my desk for writing, I am able to focus on the project I want to get done. Today it happens to be a blog post and afterward, I’ll be working on typing up the stuff I’ve written recently (that process is another discussion).

Of course, creativity isn’t limited just to the things I can put on paper. It’s also about growing my mind through reading and visuals. Which brings me to the wall opposite my desk, the one behind me right now. I have my small library set up, and I got an accent chair to curl up in and read.

The last place I have in my office that I was going to try and post a photo of (but WordPress is having a moment, so I won’t this time) is my photo “studio.” It’s really just a half-closet with a card table and some fabric backdrops that I pin to a bulletin board. I mostly use sunlight for now, but one day I’ll have actual lighting for those times I don’t wake up at the sparrow fart of dawn for a good photo.

Sometimes when I think about the life I have now, I wonder if I deserve it, and I think the answer I’d get is a resounding yes from the people who matter to me, and while I appreciate their support and love, one day it’d be nice to believe that for myself. Allowing myself to feel proud of the house I’ve been turning into a home, my home, that’s not narcissism no matter how much my brain tries to tell me it is. It’s important to have places that make you feel like a person, like a worthwhile person. Surrounding yourself with what helps you feel creative, productive, peaceful, that’s important.

I’ve finished my coffee, and I’ve eaten my toast. I’m going to get to work on the day’s projects. Until next time, friends.