From My Journal – Language Update

Hey, there friends! Happy New Year! I’m behind my own arbitrary posting schedule already, but that’s because I gave myself the deadline of January 31st to finish the first book of my series. I also decided that I am not writing with the expectation of becoming a best seller, but more for myself because I love telling this story so much. And that is pretty much where I find myself this evening as I scurry around for a post.

I’m doing a few challenges this January that I’ll talk about in February, but one of the things I’ve challenged myself for the entire year of 2022 is to read more. As with many writers, I find when I read more, I write more. And better. Obviously not on this blog because of the run ons, the inconsistent punctuation, etc, etc. The beauty of this blog is again, I’m writing for myself. I was going to start this year with a book dump of some books I recently finished reading, but I decided to go for a journal update. The last spreads I have to get done before I start the dictionary for the language I’m creating are the plot outlines of each book.

So, the photo for today is a look at the beginning of the dictionary for Moartean. I got the A section for English done last week, and that felt pretty cool. My strategy is to go through a “learner’s” dictionary and pick words that I think the Moarteans would use. The biggest thing for me is trying to figure out which ones could be used multiple ways. Moarteans are interesting people in that they are simple when it comes to words, but complicated when it comes to expressing themselves. Some words can be used interchangeably, while others are kind of “what is this person trying to say to me?” It’s an fascinating thing where I look at words like, “alert,’ and “alarm.” They mean similar things, but have different applications that require context. So, do I make them interchangeable? Or do I apply context to them?

I know it’s extra to create a language. I know not many people would want to do such a thing. But it makes too much sense to me, and incorporating some of it into each book, with the third book having the most in it, feels ridiculously satisfying. I created a prophecy using the language and reading it out loud makes the nerdy part of my brain tingle in a way that it rarely does unless I’ve spent an entire day writing or working on writing things.

I know I post a lot of things motivating people to believe in their goodness and their worth, and that will still be a thing, but this year I’m going to try and incorporate more of what I love into this blog. It’s still a lifestyle blog, but writing is what makes me feel the most real. I know that sounds so pretentious and cliche, but I don’t do a lot of appreciation of myself. Seeing the world I’ve created in my head over the last decade come to life on the page is a feeling I don’t think I have the words to give you. If I could pass the brightness to you, so you could get a glimpse of effulgence I feel after wearing my neck out from being hunched over a notebook for a day, I would give it to you. I would love to share that joy with you.

And that’s a small look into my last few weeks, creativity wise. I hope your year has started well, and I hope you are being kind to yourself because you deserve kindness. I’ll see you soon with a look at some of the books I finished already this month.

Until next time, friends.

33

If I appear to have lost my zeal for posting on here, I haven’t. I’ve decided to approach this blog as more a tool for myself and less a desire for validation from strangers on the internet. It’s always been for me anyway, but to those of you who’ve been reading my nonsense, thank you. I do appreciate you being here. Cliche as it may be, it’s nice to know someone out there sees the things I say.

So that brings us to today. Today is my birthday. I turn 33. Holy frickin’ cow, dudes. It always catches me off guard and it always hits me in the face at the same time. Never one to appreciate attention on myself (which is where my need for validation on the internet becomes an internal eternal struggle), I’ve never been a fan of my birthday. I’d much rather spend it doing things with others and helping them. So I took some vacation time, hahaha. I am a firm believer in the idea that no one should work on their birthday. I realize that comes from a place of privilege and I wish it didn’t.

Every month in my bullet journal, I pick a quote to kind of guide my thoughts, and this month I chose something out of one of my very favorite books, The Little Prince by Antoine de Saint-Exupery.

If someone loves a flower of which just one example exists among all the millions and millions of stars, that’s enough to make him happy when he looks at the stars. He tells himself, ‘My flower’s up there somewhere . . .’ But if the sheep eats the flower, then for him it’s as if, suddenly, all the stars went out. And that isn’t important?

I chose this quote because while the obvious reminder is that the little things matter and what’s important for someone else may not necessarily be important to you, it’s more a reminder of going back to the things that matter. I love this book enthusiastically. It’s a classic, and it’s such a lovely little tale about learning the way the world is, and it reminds me to think about what truly makes a difference in my life.

So, what’s been different this past year? I think the thing that startles me the most is the change in fitness. I began running, something I talked more about last blog post, and I stopped eating so much and I lost about 40 pounds. I’m not to my goal yet, but hey. I lost 40 pounds. It’s easier for me to keep up with Caboose, and it’s easier to jog after a piece of paper I dropped in the parking lot. I have a new way of controlling my thoughts, which is probably the most important thing about running for me. I’ve set a goal with one of my best friends to run a 5k next year. For the fall, though, because running in summer sounds like a fresh hell, or maybe a hot hell. Either way, a pass for me. But last year I wouldn’t have even considered such a thing. I would have thought it impossible.

Finding balance has been tough. Finding a way to shut out the bastard that lives in my brain and coax the small child forward who wants to be everything and anything is difficult as all get out. I hear a lot that I’m strong, and while I appreciate that, I don’t think people really know how exhausting that is. Mentally, I’ve not been well. The month leading up to my birthday is one of the hardest of the year for me because quite honestly, I’m always surprised I’m here. Kind of a “well shit, now what?” moment. And every year, I remember “oh yeah, keep breathing.”

I was going to go camping this year, but I decided not to because the idea of the effort took so much energy. Just the thought of it. I’m still going to go to my favorite park and hike, because that’s the thing I look forward to the most every year. The picture for this post is from a few years ago, but it’s the only one that I like of myself. It reminds me that I’m insignificant in the best way. That the world is so, so vast and I am so, so small in it, but that doesn’t negate my importance. I am necessary. I am a vital part of the system I created around myself, and I did that without even knowing I had.

So, the point of this post really is to just mark another notch on the bedpost of life. I survived another round, and I’ll survive until the next one, the sun willing. But it’s going to be more than survival. It’s going to be living. It is such a cliche to say there’s a difference between survival and living, and while yes, I know, it’s obvious, it is another thing entirely to fully realize that.

Paint your sunset. Read that book you’ve read fourteen times before and it still makes you weep at the end. Watch the entire season of a bad show in one day. Smile at babies. Give flowers to your mom, or your dad! I’m sure he’d like it. Tell someone you haven’t spoken to for years that you remember something specific about them. The world is so full of life and you have the right to have it.

Let yourself have it.

Until next time, friends.

If the Trees

Note: This is a short piece I wrote for a contest last month. It does contain strong language and drug references (marijuana).

Malcolm saw the caravan first. I know he debated even radioing the rest of us, but he probably figured I’d make his life more miserable if he didn’t. The caravan was parked where Solomon said he’d leave it when he told us last night. I rode up on my motorbike and sat staring at it for a few minutes. Waiting for the others. Wondering why I didn’t just go in and get it over with.

I heard Malcolm’s ugly voice calling out from behind the silver bullet of a trailer. He hollered about how the door was locked. His irritated banging had me off my bike and running across the abandoned lot before I knew what I was doing. His gray caterpillars for eyebrows shot to what was left of his hairline as I skidded around the bumper.

“Oh, didn’t know you heard the call out, Sida.” He bowed and backed away. “Ladies first.”

I shoved him away, my blood boiling. “Hoping I didn’t want to see?”

“Can you even get in?” He hitched his sweatpants higher and retied the drawstring. “Bastard locked it before he went all vagabond-y.”

“Will you shut up?” I rubbed my forehead, my eyes squeezed tight. Headache percolating behind them. “Go wait for the others.”

Malcolm scrubbed his hand over his two week stubbly beard. “You aren’t the only one who’ll miss him.”

I gave him a small grimace meant to be a smile as I dug into the pocket of my jeans. “You just hope he left behind his weed. Please, Mal? Let me have a moment.”

He waved and grunted as he returned to where he’d parked his truck. I pressed my palm to the door, the metal cool even though the sun had been out that day. The first time I went into the caravan was the day Solomon joined the crew. He met us at a rest stop out in Ohio and had no kind words when Malcolm assigned me to be his navigator. He’d tolerated me and let me know it. Guys like Solomon didn’t need to be told where to go. They went and the world followed.

I unclenched my fist and slid the key into the lock. He gave it to me three years ago. We’d stopped at one of the campgrounds for a week, watching everyone else at another crew’s fire. Solomon hated the noise, and I did too, but never said so.

He had a softer voice than people expected. His gruff exterior always scared kids and made their parents raise their eyebrows. Old enough to be my father, and I still looked about forty years younger than him. We sat at our caravan—his caravan—listening to the laughter take over our friends. My friends.

“Two years, yeah? That’s how long you been my navigator?”

I dragged my eyes away from Malcolm flirting with the matriarch of the other group. “Yeah, two years.”

He rubbed his chin and nodded, not looking at me. “You like it, Sida?”

Something about how he said my name made the rest of the world go quiet. I nodded, unable to take my eyes off of him. “I love it.”

That was the end of the conversation, but before I headed to my tent, he pressed a key to my palm and told me to hold on to it. The same key I now had waiting to turn. I didn’t want to see inside. Not without him. It wouldn’t be right.

Gritting my teeth, I swung open the door and let it close quietly behind me. I hated it immediately. The caravan smelled like his cigarillos. I laughed and sank against the counter of the kitchenette.

“Damn it, Solomon,” I said, lightly tapping my forehead on the cabinet above the practically useless sink. I’d broken the faucet once trying to make him dinner. He fixed it, but it never worked right in the winter.

“Focus.” I didn’t have long before Malcolm would figure out I had the key.

I knew where to find what I needed to. Solomon told me two nights ago. He’d asked me to stay the night. I should have known. He never let me stay. Said it would ruin my reputation, even though they already thought we were together. Said he didn’t want the others to talk about me like they knew me. They did know me, I protested, and he told me the only knew a speck of who I was. It made me laugh and I lit one of his cigarillos for him.

“And you know me so much better, is that it?” I propped my feet on the dashboard. “My own momma ain’t know me, man. What makes you think you do?”

He didn’t answer, just took a long drag. “I got money. Not much, but enough. The others don’t know about it. In case something happens, I want you to have it.”

“You planning on me needing it?”

“It’s just in case,” he said, snapping a little. He rubbed his bald head and sighed. “I want you to stay tonight, Sida.”

The sound of tires on gravel ripped me back. I cleared my throat and went to the front. The passenger seat. Where I usually planted myself for hours at a time. We didn’t talk much at all those first few months. He’d mostly argue with me on directions and be mad when I was right.

I swiped at my eyes and opened the glove box. “You absolute bastard,” I muttered as I pulled out a small box.

It wasn’t very wide, but it was long and deep. Everyone else knew this box as his stash. His weed sat in neat bags balled up in the far corner. There were food vouchers in a bundle held together by a rubber band.

A folded piece of notebook paper waited on top of it all. I sighed, more of a groan, and opened it. “Fucking asshole.”

Sida, this won’t be long. I said what I needed to already. I hope you’ll indulge in the weed at least once, but if not I’m sure Malcolm will take care of it. You know how to find the rest. Take any books you want. Burn the rest of it down. –Solomon

I laughed and got up, still holding the box. Standing took too much effort and I sank down against the cupboards and hugged my knees as sobs took over. As quietly as I could, I cried for Solomon. Something he’d have hated.

Two nights ago he asked me to stay. Every other night, we’d separate to sleep. I’d head to my tent, wishing I could slip under his sheets and lay beside him. Just be next to him. He brought me into the caravan long after everyone else had gone to sleep. I didn’t know what to expect, really. But he held me. That was it. He held me as we talked even more. It was all I’d ever wanted, and being close to him, pressing my face into his shirt, feeling his chest rumble as he spoke in the too early hours of the morning—I’d never known anything like it.

He’d despised me for so long, hating that I was beside him everywhere. It was the rule of the crew, though, that everyone went in pairs and there was a navigator. Eventually after several long months, he didn’t tell me to shut up and we talked. About books. Stories he wanted to tell but never had the right person around to hear them. He’d been divorced since the nineties. After his only novel sold, he quit the life he knew and began his roadtrip, a circuit around the country, weaving through the states on his way from coast to coast. He found us through a bulletin board posting at a rest stop near Chesapeake. Met us in Ohio. He liked Malcolm. At first.

I pushed myself up and began to dump out the box. On the bottom was a tiny button. Pressing it opened the lower half. Ten thousand dollars. I stuffed the cash into my jacket pockets and laid everything else on the counter.

Two nights ago. Solomon took me to his bed and ruined anyone else’s chances of me falling in love with them. He stroked my hair, listening to the night sounds around us, the dimness giving him eerie shadows on his face.

“I’m leaving the group,” he said into my hair.

“Why?” I tried to sit, but he held me still. “Solomon, I don’t–”

He rolled onto his back and put his hands behind his head. “It’s time. I’m going to hike for a while. Live off the land. Become the land.”

“But won’t you—won’t you be lonely?”

His smile surprised me. He reached over and trailed his fingertips along my arm. “I don’t think so.”

A lump almost choked me and I faced away from him. The bliss turned to ash in my gut and I wanted to leave. He rose to his elbow and pulled me back. Cupped my face so he could study me. Learn every bit of my face and burn it into his brain forever.

“I love you, unearthly thing. That’s why I won’t be lonely.” The kiss he gave me felt like goodbye.

Malcolm slammed open the door as I was putting the books I wanted into a small box. “You’ve had quite a few moments. Where is it?”

I passed him the weed and food vouchers. “Here, you prick.”

“Did he off himself?”

I went to the door and took a last deep inhale, patting the pocket I’d tucked one of his cigarillos into. “You should get what you want. I’m burning it.”

“But we can use it, Sida.” He gestured to the rest of the caravan. “Cleaned up a bit, we could do so much with–”

“Five minutes and it’s on fire.”

Leaving him to paw through the contents, I took my box to my bike. The others had arrived. Malcolm’s wife patted my arm as I passed her. She winked and fixed her face into a serious mask, calling the others over.

No one wanted to go in. The crew just stood around waiting for her say-so. Eventually, they’d have to go in. Such was the nature of nomads. Take what’s useful, leave the rest. Magda gave a nod and they descended on the caravan. I turned away, unwilling to watch the desecration. My gaze landed on the box of books. Sniffling a little, I picked up the top one. Solomon insisted it was the best book of all time. I told him it wasn’t as good as some of the others he had in his collection. He didn’t talk to me the rest of that day.

I flipped open the cover and watched a photograph fall out. Crouching, I picked it up, not ready to see what I already knew was there. The moment I’d taken it lived forever in the back of my mind.

A year ago. Even though I never said so, Solomon knew I loved him. I think that’s why he never let me stay with him whenever we stopped. He thought he wasn’t enough for me. I didn’t know how to say he was, so I slept by myself in my tent, popped up next to his caravan.

I’d found an old Polaroid camera at a thrift store. It was only a few bucks, and I traded some of my food vouchers to Magda for use of her debit card to order film. I wasted most of the film. Taking photos of everyone. Solomon refused to be photographed. But as we entered our campground that night, I told him it wasn’t for anyone else, just for me. He’d given me some serious side eye as he stubbed out his cigarillo.

“Fine, but you have to be in it, too.”

I agreed and situated us so we’d both be in frame. Began the countdown.

“Look at me, Sida.”

It was the best picture I’ve ever taken. Both of us were lit by the last golden rays of the setting sun. He had a ghost of a smile while I beamed at him. He’d taken the photo from me and shook it before sticking it to the dashboard. Said it was for the both of us.

As I straightened, I saw he’d written on the back of it.

I hoped you’d take this one. I know I’ve made you mad. Probably think I’m an ass. But the beautiful thing about all of this, the whole last six years of my life, I wasn’t even looking when I found you.

I tucked the photo back into the book and turned to see Magda watching. She tilted her head and came to stand beside me. Passed me her pack of cigarettes and cleared her throat.

“I’ll give them five more minutes, and then I’ll let you light it up.” Her cheek twitched as she saw Malcolm wave from the driver’s seat. “I’m sorry, Sida. You can meet us in Topeka if you want to take some time to find him.”

“It’s fine,” I said as I lit a cigarette. I held the smoke too long, but forced myself to push it out in a long, slow breath. “If the trees are his home, the road is mine.”

Bolt Madly Toward Yourself

While I wish I could claim credit for that phrase in the title, it comes from an article written by Chuck Wendig (I’ll link it below, should you be so inclined to read it). It’s been on my mind recently, just that phrase, because I always hear people saying to chase dreams, and while I agree we should go after worthwhile endeavors (you decide what’s worthwhile, I guess), I think we should instead chase after ourselves.

Not in an “oh-shit-there-I-go-again-better-stop-me,” kind of way, but more of an “I’m-actuallly-kind-of-cool-what-else-have-I-missed-by-hating-myself?” kind of way. I’m not saying it will get rid of the insecurities we plague ourselves with, but once you get past all the reasons you’re terrible, maybe you’ll see you aren’t actually terrible.

I’m not an art success by any stretch of the imagination, but I want to become a watercolor artist of sorts. I want to do tiny paintings, and so I’ve taken steps to start practicing. As well as practicing hand-lettering because I think it’s cool when people do that kind of thing. It takes practice and sometimes I’m so much of a defeatist that when I don’t get something on the first try, it’s suddenly garbage and I don’t want to do it.

Bolting madly at ourselves is a way of saying enough is enough. It’s a way of grabbing hold of your own shoulders, metaphorically, and staring yourself in the eyes and seeing that you aren’t the bile pile you somehow convinced yourself you were.

It’s a challenge. To the things that keep you up at night. To the people who planted the seeds of discord in your heart. It’s a direct refusal to be anything less than who you are and while that sounds so damn simple and stupid out loud, let it sink in. Because we are more than what we let ourselves tell us we are. I believe it wholeheartedly. It’s why I’m still kicking. Literally fighting for myself because I never have and I’m tired of seeing the same disappointment every time I have a set back in my progress.

This is a month I’m focusing on my goals a bit harder. I want to prove to myself that I am capable of changing my habits, changing the things about me that keep me from being who I want to be. I write in my journal about it so often, and I get irritated that I keep slipping back into the “comfort” of who I am right now. Not bad, but not what I want.

I challenge you to do better for yourself. Start doing something that makes you feel real. Hopefully that’s nothing harmful to you or others, but I’m not your mom, so I can’t tell you what to do, really. But you owe it to no one but yourself to start seeing yourself as real, as important. As worth the time. I promise I’m working on it more.

Until next time, friends.

The link to Chuck Wendig’s article is here:

http://terribleminds.com/ramble/2012/01/17/25-things-writers-should-start-doing/

Poem I Wrote for a Boy, But Now Give to a Man

I never told you,
but when the sky is blue–
the kind you find on marshmallows
in Lucky Charms–
I have to take a picture with my eyes
and imagine you can see me.

You know,
I never said this when you were here,
but you made life breathable again.
It’s gotten hard to breathe
and I don’t know what to do.


I read recently that nostalgia lies to us about the people who’ve died. How we spend so much time remembering the good about them, and not really thinking about all the ways they’re awful. And it made me wonder, well what’s wrong with that? Why do I need to remember the ways a person hurt me when I want to be happy with the memories of them that bring me joy? I’m not offering them sainthoods in their next life, I’m offering myself respite from the grief of loss.

I’m fine, really. This week’s post is a poem I wrote back in 2013 and it was originally for my friend Robbie, but as I read it, I thought of Henry. It’s almost unfair how much of my creative processes get devoted to him, but if he’s been the reason I still write, or paint, or give light to the world, I don’t think that’s wrong.

From My Journal: Character Sketch

Serena Shorn

  • Naturally brunette, dyes her hair platinum blonde
  • 5’6”
  • Blue eyes
  • 132 lbs, very fit and toned
  • Usually wears “preppy” clothes, pastel colors (rose colors make her very happy)
  • Loves high heels

Serena is Zelda’s oldest daughter, and Frankie’s half-sister. She’s a tragic character. She has spent most of her life trying to be something everyone wants. She has no idea who she is. Feels inadequate next to Frankie. Even though she got married to Logan (will be posted another time), she sees how her sister is successful with her job, her house, etc. Frankie is happy even though she has less than Serena in terms of material possessions. Serena’s discomfort with how little she likes herself is something she doesn’t talk about because she sees it as weakness. She believes she should be silent about her struggles so no one knows she feels so aggressively to herself.

Her relationship with Logan is difficult. He’s verbally and psychologically abusive. She does her things to keep some form of control over her life, but comes off as high strung, high maintenance. Again, though, it’s her way of maintaining how people see her. If she is the one with the attention, controlling what people see, she makes sure no one can tell she’s lonely. She overheard the wives of the country club calling her a trophy and she cried for a long time about it.

Serena and Zelda have a rough relationship, too. Serena thinks her mother only cares about Frankie. This isn’t true, but the “evidence” she uses to prove it usually ends up being things she’s blown out of proportion or twisted out of context. She tries to bend events so they fit her narrative, and when they don’t, those events are like they didn’t exist to begin with. She doesn’t have any true friends. There is one wife at the club who feels sorry for her and tries to help her, but she takes her kindness as judgment, so she pushes her away.

Serena doesn’t want to believe Logan would ever be anything other than loyal. If she ever suspected the opposite, she worked harder to be what he thinks she wants. She suffers quietly for what she believes is love. When she is murdered, she dies knowing Frankie is on her way to help her, that even after all the years of fighting, the verbal abuse she threw at her sister, Frankie still loves her and is coming to save her.

It is truly a massive loss for Frankie, one she attempts to avoid dwelling upon. While she still has her mother, until the end of Fulcrum, she loses the chance to rebuild her relationship with her sister, a loss that begins Frankie’s emotional growth.

Acceptance

A small backstory for this is I lost a friend of mine a few years ago when he took his own life. For the longest time it crushed me because I was worried I didn’t do enough to help him, to keep him. His birthday is today, and in the past I’d become a useless mess because I didn’t want to face the overwhelming sadness. I miss him most especially today. The piece below is something I wrote last year for him. There’s sadness today, but also joy because I got to know him even if it was for a short time.

Acceptance

It takes a lot of effort sometimes to remember the good moments when you’ve lost someone really close. Sometimes the grief is more than a wave. It’s a vacuum and you can’t feel anything but the pressure of that loss, the pressure of the absence of the person you loved. They can’t make jokes about how innocent you were. They can’t send you twenty-five YouTube videos of their favorite metal songs for you to wake up to. They can’t stay up until all hours of the night just because they love the sound of your voice.

You romanticize these moments. Look back on them with a fondness you never felt while they were here. Because they were here. You didn’t need to remember them fondly yet. You could keep talking even though your throat was sore and the birds were chirping and oh shit, man, I gotta work in four hours. I’ll talk to you later.

You gave so much of your love without knowing you had and now there’s nowhere to put it. So it bubbles over and leaves you with a displaced mess of smiles for boys with an Irish lilt to their voice, for those friends of yours now who ask if you want to talk about history, or go into why you’re slacking on your writing. You no longer hear that beautiful voice, but you remember the way it filled your heart with a hello, hey, I missed you.

It’ll be all right, you tell yourself. And it is. It’s absolutely okay. But sometimes it’s okay to miss them and accept you’re still sad about it.

written july 27, 2020


I watched Bo Burnham’s “Inside” last night and it’s kind of stuck with me in a big way. It rendered me speechless, but it was 2 A.M. and I was lost in remembering Robbie, lost in the sound and art of “Inside,” lost in wanting to just create forever. The world can often feel too large and yet still too close all at once and it’s so easy to get stuck in a loop of existing. Letting the world slide over you while you try to come back to what you’ve worked so hard to become. It ends up feeling like nothing.

But there’s a moment. A last ditch effort, that sniff of “not yet, I can’t give up yet,” and it propels you forward for a moment and lets you feel real. Like you’re invincible and everything is yours.

On my drive home at the end of summer, when the days start getting shorter, and the sun hangs lower in the sky at 7 p.m. The gold covers the earth and for a half hour I am okay. I see the world as I love to, without the filter of what keeps me up at night. It is striking and stunning and it is mine. That is the world I exist in with Robbie. With Henry. With all the ones I love. It’s the rush of air coming in through my windows, in the breath of sweet grass baked in the sun all day. I am the realest I’ll ever be and it is enough.

From My Journal: Character Sketch

Zelda Frankovitch

  • Born in Lexington, but parents moved to Lowell when she was five
  • black hair to her waist, curly
  • brown eyes
  • 5’7”
  • 141 lbs
  • glides when she walks
  • angles instead of curves, sharp features, but still soft

Zelda is a sunrise. She is vibrant and brings a room together simply by being in it. She is Frankie and Serena’s mother. She loved Milton Fogg at one point, but he erased her memories of him. He claimed for her safety, but it was really so he didn’t have to be a father or husband. This removal leaves scar tissue which Dr. Rodrigo Ark then removes at the end of Fulcrum. Zelda is killed in front of Frankie.

She is an only child. Instead of this spoiling her, she learns independence fairly quickly. This is what her first husband, Ed Shorn, admired about her. Until he thought she should spend less time on her career and more time being a wife. When Zelda instead turns her focus further on work, Ed begins a relationship with the nanny. While this hurts her, by this time, there is no love left for Ed. She lives for taking care of Serena after she fires the nanny. Still manages to make partner at her law firm.

When Ed dies, she moves on with Milton. By the time Frankie is born, however, Zelda is alone to raise her two girls. She doesn’t actively search for dates. She spends less time worrying what others think once she understands the basics of how people work.

Zelda is gracious and graceful. She is often found in long, flowing dresses. She loves gardening and food preservation. She wears a ring on her left middle finger, but is unsure why. It’s her wedding ring from Milton. She was deeply in love with him. She would have been devastated by his loss. Part of the depth of her love for Milton comes from the arrangement of the Thrice Unbound. With how she felt about him, the lingering love kept her from finding someone else.

She loves her children, but her relationship with Serena is not what she wants it to be. Frankie is her favorite by no reason other than she spends more time with her. She’s worried about her because of how little emotion she exhibits. She thinks there is something wrong, but can’t say anything because they don’t have serious conversations anymore after Frankie leaves home. Serena gives Zelda grief over her lifestyle–alone, in a big house, no desire to be anything other than what she is. Zelda sees a lot of herself in Frankie, while Serena is very much like Ed.

Zelda is driven. She throws herself into each project she’s assigned at work. She has a determination to prove she has what it takes. Her biggest fear is letting her daughters down. She doesn’t believe in God. She likes candied pecans. Her favorite color is dark green. Her favorite board game is Clue. She puts her keys in a bowl by the door. Frankie made it in elementary school, but lost interest halfway through, so it’s more of a plate than a bowl, and only painted in blobs and splotches.

It’s All In How You Say It

Hey, how ya doin’? I hope you’re doing well. This blog is a sort of update on my writing projects. Not only am I reworking the first book of my trilogy, I’ve made some progress on my worldbuilding journal. I finished the setting discussion for Lazarus, including the history of Moarteans. It was a lot of insight into a world I neglected during my first few go arounds on this story. Discovering an entire culture has been so satisfying. The rise and fall of leaders, the growth and stagnation of policy, the wealth of “art” history. I say “art” because the Moartean way is more scientific, and more visceral. They aren’t a romantic bunch of people (in terms of love or historical era), so they tend to dwell on the pain and suffering aspect of life a lot more than the people of Fulcrum (our world).

As I was developing this background, I was thinking about how there’s this phrase that they use as a kind of blessing, “nantu sonsprek moartea-hi,” (the strength of the dead goes with you), and it struck me that this was a small insight into their language. They came up with a new language as a way to be above humanity and it slowly spread to the mega cities. Some humans of Lazarus can speak Moartean, but mostly it’s just used between the Moarteans.

Which brings me to my coolest thing I’ve done so far creatively. I am creating the Moartean language. Actually creating their language with real words and grammatical rules and there will be poetry, scientific literature, regular literature (all of that will be alluded to, because I’m not that cool yet). I’d kicked the idea around in my head for a while because I liked that they had a different way of speaking. It elevated them above the humans and then it became their way of surviving. Which is hella vague, I know, but the book explains more.

The words have a sound that’s got a combination of several of the Romance Languages, Russian, and Japanese/South Asian. The reason for this? It sounds good. The word for star is gakima (the plural being gakimai) pronounced “guh-KEE-muh” or “guh-KEE-muh-ee” and the word for everything is winexi, which is pronounced “wee-NEY-zhee.” There doesn’t appear to be a pattern to the words or anything so far, but I feel that’s accurate for the Moarteans in their earlier arrogance. They wouldn’t want the humans to learn their words.

So that’s where I’m at currently. Still working on the actual story, yes, but my side projects are keeping it all fresh in my head. I know my approach to writing isn’t necessarily what will work for others, but I enjoy sharing the process and the side bits to hopefully help others in their work.

Until next time, friends.

Brought To You By Powdermilk Biscuits

“Don’t be so hard on yourself,” they say,
their hands poised to slap me.
I know they think I’ll fight back,
but I won’t.
I gave up years ago
when my father left us
for the theatre
(I think that’s what we called it)
and I let the fight in me
go with him
because he’d need it
to get me to love him again.

Disclaimer: this is not about my actual father