Middle of the Week–What?!

That’s probably the last time I’ll try to get cute with titles. Maybe.
Probably not. I’m fun like that.

Hello. Welcome. Thank you for being here. In general, and also looking through my rambly show-and-tell of sorts. What have I been doing? A whole bunch of working for my day job, and a bit of everything else. I went on a trip to another state with some friends this last weekend and got myself some books and rocks. I don’t do the crystal thing, but I do like the way rocks feel when I touch them sometimes, so I got the ones that felt the best. I had a blast hanging out with my friends.

Writing wise, I’ve been outlining a project I hope to complete this summer. I’ve been struggling with writing it first because it just falls so flat on itself and I’m forcing moments when they should be happening as they will. The bones are there, now time to stick the goo on it. I don’t know if I said so last time, but I finished the first handwritten draft of my third book in the Maker series. It’s currently sitting on my printer waiting to be typed up. Might do that with the rest of this week I have off.

My car broke down (truly a joy) so the plans I had to go to the movies and do some fun outings by myself are pushed to a weekend or something. The car shall be returned to me on Monday, so fret not, in case you were. I’m not pleased with the cost of repairs, but ya know, it’s not the price of a new car, so, there is that.

One of my best friends brought her chainsaw over and we got the bushes in front of my house cut down and I’m pretty stoked to start my summer outside projects. I despair at my backyard, but I also think once I get out and start groovin’, it’ll get figured out.

Sometimes it catches me off guard how many people enjoy being around me. Kind of like tapping the part of me that is obsessed with hating itself on the shoulder and whispering loudly, “You’re not the trash you demand you be.”

That’s all the cheese on this block, friends. Thank you for stopping by. It was truly nice to see you.

Until next time!

How Are Birds Even Real?

Note: This is a piece written in three parts in response to my mother’s near-fatal car accident in November 2024. It is my honesty as bare as it can be and while I had trepidation posting this piece, I am trying not to be ruled by my fear that she’ll have a damaged reputation after posting it. I’m tired of being responsible for holding the truth of how me and my siblings grew up. I guess I hope leaving it here makes some of the exhaustion go away.

11/14/2024 – Written at my mother’s hospital bedside

What does it say about how I grew up that all three of my mother’s children have been subconsciously preparing to get a phone call from a stranger saying she’s died in an accident she caused?

How do I describe—even a little—the fear that bolted through me when I heard the woman who stopped to help say they could hear the sirens?

Sometimes I am so tired of being my mother’s mother. My mother’s main source of any kind of human contact. It is excruciating to be the one fielding calls and asking questions of people in medical attire. Telling well-wishers, “thank you for stopping by” when I want to tell them to leave because she won’t shut up until they do and she has a broken sternum.

I want her to lie still and be quiet for once. Let silence help her heal, but I think the quiet terrifies her. She needs sound so she isn’t alone.

She’s lying down as much as she can and I see her pulse in the thin skin of her neck. Her eyes are closed and every now and then her nostrils flare as some kind of pain passes over her, and she fights back tears.

This woman gave me life and I am livid she is so careless with hers.

Birds have hollow bones. I remember thinking when I was a kid that was impossible because bones are full of marrow and such a vital part of being complete. Structure and stability in a consistency not seen in my life otherwise.

My mother keeps thanking me and my sister for being here. She’s telling everyone I told my boss I wouldn’t be in the rest of the week, but really I told her it was just today.

Is this a glimpse of what it’ll be like in ten years when I’m the closest and the time comes for real? Am I selfish for being angry my life has to be halted so I can help her restructure hers?

She broke her back.

She broke her sternum.

Her seatbelt cut slices into her hips and she has bruises purpling her stomach. She can’t walk because her left foot is twice the size it usually is. Her right hand has a gash across her knuckles and it has yet to be stitched up.

She had a morbid sense of pride when she announced there was a puddle of blood that morning from where the staples held her skin together.

Do birds have skin on their wings? Or is it just feathers? I bet they have skin. They have to, right? Follicles for the feathers to protrude and spines to remain.

She’s eating her sandwich and talking again. She slept for about twenty minutes. There is an emptiness in my whole body and my anger is rearing.

We are so fragile and easily shattered.

My mother is enjoying being taken care of, which everyone eventually does, but watching her direct my sister and talk to the nurses opens up a part of me I thought healed.

Am I a bad daughter for being so bitter?

I want to weep.

I want to go home.

I want to stop feeling so angry.

How do birds know where to go? How do they know the movement of their wings will beat enough to lift them into the air? Do they tuck their feet automatically? Press their tiny talons into the softness of their feathers as they soar?

Her hand is bleeding again. She’s making jokes. We briefly talked of the events last night, and I want her to feel guilty. Feel even a twitch of remorse for never listening when we tell her to pay attention while driving.

Does this make me horrible? Does this mean I’m not a good kid?

I hate myself in a way I didn’t know I could.

My brother says he thinks I’m just tired.

I’m about to combust.

The After

I haven’t spoken to my mother since Thanksgiving. She messaged me for Christmas, and I didn’t respond. How can I be so callous to a woman who just had a serious, almost fatal car accident?

Because she smiled when we told her we were afraid.

It was a micro expression she’d deny ever making, but I’ve seen it my whole life. A flash of satisfaction that she’s somehow won.

I can still hear the way she tried to breathe when she called me that night. The way her voice sucked at the air she couldn’t catch.

She told my cousin I wigged out because a stranger called me to tell me what happened. She laughed when she said it.

I wake up reaching for my phone thinking it’s ringing and it’s that woman again. She was so frustrated with me because I didn’t know what to do. I think her name was Nicole. I wish I could find out how to thank her for stopping.

And apologize to her because I thought my mom was dying and I wasn’t ready for it. 

The ER people were very kind to me when I walked in. I know I looked terrified. My hands were shaking, and I had them stuffed in my pockets. A chaplain brought me back to a less crowded waiting area, and told me what they were doing for my mom.

I couldn’t sit. Had she fallen asleep at the wheel like she has countless other times? Why was that my first thought? The chaplain returned and asked me if I wanted water. I laughed and said no, thanks, because I laugh when I’m scared.

The fear isn’t so big, then.

My stepmom returned my panicked call and asked me if I wanted her to come to the hospital and sit with me. I couldn’t speak, so she answered for me and said she was on her way.

The manager came by and told me they were doing some x-rays and other tests. The chaplain returned and gave me a smile. He was a beautiful young man, and I think I fell in love with him for that night because of his kindness. Everyone kept asking if I wanted to go see my mom, but I said I was waiting for my sister to get there.

If my mom was dying, I couldn’t do it by myself.

My sister arrived and we went to see my mom. I cannot put into words how dead she looked. Her eyes opened and she smiled, and said some random things because she was on heavy painkillers.

The towels they’d used to soak up her blood were on the floor. Her hand was covered in a bandage drenched with iodine, and the gown she wore was spotted with pinkish brown.

I have seen the inside of my mother’s skin. I have seen the way her layers were shorn apart by her seatbelt and I see it when I close my eyes.

I condensed my brain into a speck so I could fix her life.

I texted her piano students, called her insurance company, called her physical therapy, called so many places. I spoke to the men from her church because she wanted a blessing.

People visited her daily. She told the story in the same inflection to everyone who would listen.

“There were no lights! I would have slowed down if there had been lights!”

She hit the other driver’s trailer full of wood at 55 mph. There is no more front end to her car. I went to the tow yard to take pictures for her insurance company.

The insurance company she’d been with for a week.

The tow yard wouldn’t move her car from where they’d parked it, so I bruised my arms and legs getting into it, sandwiched between two (far less damaged) vehicles. I knelt on the rain-soaked, bloodstained seats trying to recover the items she wanted. I cut my fingers on the glass blown across those seats like sand.

It was when she smiled at my fear, I understood: I would never be what I wanted to be for my mother. It wasn’t the decades of mental, emotional, and sometimes physical abuse. She didn’t hit me all the time, so it wasn’t bad. It wasn’t when she told me with the strongest conviction that the church she belongs to was more important to her than her children. It wasn’t even when she closed my arm in the car window when I was trying to breathe during a panic attack because she was swerving while driving.

It was her satisfaction that she owned my terror. I was afraid for her.

She is a master at manipulation. She is so good at making you feel like you’re worthless, that you don’t even know she’s the one doing it. I have cried in the deepest depths of my depression in her lap. I have asked her to make it stop hurting because I don’t want to leave, I want to stay and figure it out. She drank it in like my pain sustained her and she could use it when I didn’t do what she wanted.

She threw my demons at me when I wouldn’t help her immediately. “I’ve done this for you. You can’t help me with one small thing?”

Deflated.

Ransacked.

Gutted.

I never wanted to be better than her. It wasn’t about seeking her approval, but being enough as I am. Being allowed to stop reaching for some bar she’s tossed to the highest peak and laughs as she kicks my feet out from under me.

I want to ask her how she ever got joy out of owning a broken thing. If seeing me wither whenever I gave in to whatever she demanded of me when I was already stretched to impossible limits was really that big of a high.

I remember thinking when I was younger how birds are stupid things. Their tiny brains and their flappy wings. The Canadian geese that pooped everywhere were just taking up space. Terrorizing small children.

I was a bird.

I read about Icarus. How he flew too close to the sun and plummeted to the ocean. He was stupid, too. Be happy with what you have, I thought. What you have is what you deserve.

But what if Icarus laughed as he fell? I read somewhere that maybe he did, and I haven’t been able to see birds the same since. Why would a boy who could fly choose to stay on the ground when the sky is infinite?

I am a bird.

The Now

The psychological torment I went through as a child is why I will never fully trust another person. If my own mother derived joy from torturing and owning her children, how can I look at anyone else and believe they won’t do the same? I tell people, “you are valued because of who you are, not because what you give me.”

And I believe that with the entirety of my being.

There are some who have taken advantage of my desire to make sure no one else feels the way I do. Some who have used my emptiness of self to try and add me to their collection of misery. But I refuse to let myself be lost forever.

I accept that there are moments of uncertainty, that there are times where I cry over my sink as I wash my dishes because I miss my mom. I will not tell myself I’m dumb for crying. I will not tell myself I’m fine, when I am very much the opposite.

There is so much I wish I could be angry about in regard to my childhood. It’s not anger I feel, though. It’s sadness. It’s grief for the kid I never got to be. Sure, I had moments of being a kid, but it was always tempered with “what’s going to happen when I get home? What kind of mood is Mom in today? What have I done to upset her? I can fix it, whatever it is.”

Ten-year-olds are not meant to fix their damaged mothers. I forgive the parts of her that are broken, but I do not forget the way she used those to destroy me.

Writing Journal #4

I’ve been working rather steadily on the first draft of the third book. Lazarus Rising. Not the religious connotations it might seem to have, but kind of? Based purely on Tobias (the creator of Telaroth) liking the story of Lazarus so much he used the name as a way to distance himself from the problems he caused. It goes so much deeper than that, of course, but this book is one of the first we see into Lazarus. Characters go into the sister-world and it is truly one of the coolest places to spend an afternoon in my head.

I am currently doing some typing so I don’t have an entire book to type in a few months when I have the first draft done. But I’m writing chapter sixteen now. Just scootin’ right along.

I’ve been thinking more and more about submitting a few short pieces for magazines/journals/etc, but I know next to nothing about that process. I have a few friends who are regular submitters and they’ve offered advice, so when I get the confidence to start collecting rejections, I’ll implement what I learn from them.

Sometimes I beta read as well, and one of the things that surprises the people I read for is how fast I get it done. So, I’ve considered maybe turning that into a side hustle. Get some dollars for a hobby? I don’t know. I truly enjoy reading through people’s work and seeing how I can help them tell the story they want to. I don’t really do line-edits, but I do broader content and some typo assist. I keep waffling back and forth on asking for money for it, though, because it is something I really do enjoy.

But my father told me once never give my work away for free.

And the part of me that breathes words says the delight I get from doing this kind of thing is the payment I need or even want.

Things to think about, of course.

Aside from that, I have a secret-not-so-secret project looming for the summer months, and I’m excited about that in the sense that it’s a piece I never really thought I’d publish. It’s a romance novel of sorts, and one I’ve worked on for yeeeeears and years. Never putting it anywhere more than a now defunct forum.

I will get the first draft of Lazarus Rising finished, and then work on Daisy while Lazarus steeps. When I get to the fourth book in the Maker series, that’ll be a challenge because I’ve never written a draft–first person or third. Everything else has at least been through a first person POV version. Uncharted territory ahead, and it’s exciting but intimidating all at once.

Thanks for reading this ramble of writing thoughts. Until next time, friends.

Just Do Your Best

I’m not sure how to start this one, so I’m just going to dive right on in there.

When I was a kid, I danced for about nine years. Ballet. I did the whole competition stuff, but I also did a private studio that didn’t participate in competitions. We would dance in local events, though, and there was this Christmas festival every year where members of groups and communities could decorate a Christmas tree and people would “buy” the tree. Proceeds went to charities or something. I might not have the full details on that because I was little and didn’t understand why I danced at this thing, I just knew I did.

One year, I’d asked my dad to be there. I don’t remember why, but it was really, really important for him to be there. He had dental surgery that day, and the pain meds he was given ended up making him sleep through my performance.

My dad arrived at the venue and knelt on the floor and just hugged me so tight and said he was sorry he missed my dance. He even showed me the inside of his lip as proof that there was a reason he wasn’t there. The regret in his eyes and the way he hugged me for what felt like an hour while kneeling on that hard floor, all because he thought he had failed me.

But he was there. He did show up.

I still feel that hug to this day.

I have more dances for him to see. They’re just not ballet. People won’t remember everything about you, but they’ll remember you trying. They’ll remember you being there in whatever way you can. I hope you continue to be here. And I hope you are a little gentler on yourself because you are doing your best.

Writing Journal #3

I’ve finished chapter eight of Lazarus Rising’s first draft. I’m writing from Fogg’s perspective in the beginning of this book, giving him some space to be seen. Not that he deserves such a grace given who he is. Some of the feedback I’ve gotten on Keeper is how dark it is, how violent Frankie ends up being in some instances. I guess I never really saw it as violence if she’s just using what she learns in defense of herself. Because that’s what it all ends up being, self-defense. I suppose I could probably leave some of the finer details out, but what I’ve enjoyed about my writing growth while working on the whole Maker series is seeing how I can use the darker sides of myself to propel a story. How I can give voice to the parts of me that otherwise wouldn’t be expressed. I’m not a murderous psychopath. But someone in my stories is, so I can take them as far as I want to, knowing I am safe from their evilness.

That then begs the question: how much of it is author-insertion? Do I have thoughts of violence? Do I run through the scenes that appear in my books like I want them to be realities? I don’t want them to be real. That’s the beauty of living in fiction, I can put people who don’t exist through extraordinary ordeals to show just how much they can handle–or not handle–and come out on the other side of it. It’s a wonderful thing, the power of creation. I don’t want the world to burn in reality, but I can sure write it doing that very thing in a book.

I’m going to keep going for tonight, and get as much done in chapter nine as I can. I’m almost done writing Fogg’s bit, and then I’ll have a chapter interlude for the Unbound, and then it’s back to Frankie. The page number formatting for this is going to be a nightmare, but I will get it done.

And that’s all I have for you today. Until next time, friends.

Mud Puddles

Effulgent is the face of a four-year-old as she steps into the standing water in her side yard. Her father has already told her twice not to do so, but the stick in the center needed saving. As did the leaves. Sodden socks removed and replaced with dry ones, rubber rain boots exchanged for the baby crocs she wore at first.

She is invincible.

With a smile back at those watching her, she sweeps her feet into the water, soaking instantly the dry socks, her tiny jeans, and part of her jacket.

The leaves are safe now, though.

She sits off to the side, near the fence she’s almost as tall as, and she removes her boots one at a time, dumping out the water. Entirely too pleased with her results, she stands back up and begins again. Once more filling her boots so that when she takes a single step out of the muddy water, it squirts from her boot and she looks over at the cackle I’ve made.

It truly is a sight I don’t think I can put in words properly. My niece is my favorite person on this earth and she will never know just how much she’s taught me. The small things that seem so instant, so demanding of my time are absolutely not of any importance when one must dance like the LED ballerinas on her videos. Or become a horse so she can direct me around the living room, but never on the kitchen tile because my knees are no longer as young as I think I am.

Her radiant and pure joy as I get out of my car, her little bounces because she can’t wait to run to me and tell me all about what she has planned for my visit, there are no actual words for the peace it fills me with.

I had not been well. In fact, I’d been too close to the side of me that wants to cut the losses and go. So close I had to take time off of work to find my way back to myself. My true self, not the one broken and hanging on by a mere thread of a root at the precipice of a cliff. The one buried alive under a hill of dirt clods, dry and yet still clumped enough to be in the way. Each attempt to dig out meant effort I couldn’t find. The light I’d found kept becoming reburied and I’d have to rest.

I talked to my brother one night, right at the beginning of understanding I was not, in fact, okay. And at one point, I stood beside him as he sat in his desk chair and he held me the tightest he’s ever held me and let me cry on top of his head because I didn’t have the words to say how scared I was. How uncertain of anything I was.

But he knew. He knew the way he knows what his daughter needs before she knows she needs it.

I am no longer stuck in the mud like a four-year-old’s boot as she tries to maneuver her way out without falling. I am sweeping my feet through the puddle, the joy on my heart is effervescent and I am ahead of where I was when I started sliding into despair.

Mud puddles are not places to get stuck. They are places to save leaves and prod with sticks and see the way the dirt swirls as it saturates.

There will be other sad times. For now, I am turning my face toward the sun, feeling the warmth on my skin as though for the first time, and I am okay.

Until next time, friends.

Let’s Talk Loss

The following post discusses weight related issues as well as some disordered eating. If these topics are triggering for you, please do not continue.

My body has not felt like my own for about a year now. More than a year, really, but I don’t feel like being technical. I’ve mentioned before how I lost weight, and while I’m still not at the goal I wanted for myself, the getting there has been more of a challenge than I think I let myself believe it would be.

No one ever talks about the ugly side of weight loss. We see the photos of slimmed down people, and sometimes they briefly mention how hard they’ve worked, but I rarely see anyone go too far down the discussion of exactly how hard they work. I’ve been trying to lose three pounds for about four months. I’ve been in calorie deficits, and picked up my exercise, and I know how to lose those last three pounds, but it is just not happening.

This is discouraging because I still see myself as overweight. But the worst part about it all is I no longer know my body like I used to. When I was about fifty pounds heavier, I knew my limits. Now, I feel soft and squishy in places I didn’t notice before because there’s a tightness in the skin when you have so much heft. Sitting down is painful for me because my ass is disappearing and my bones touch the surface of what I’m sitting on. I jiggle when I walk, and I feel it. I’m sure I did before, but I didn’t feel it, and now that I can, I know it’s more pronounced and people can probably see it.

I can’t eat like I used to. This may be a good thing for some, but as an emotional eater, sometimes I have a painful need to binge and I can’t because I get fuller faster and the emotional satiation doesn’t happen. So I overeat anyway, and then end up wanting to vomit to relieve the pressure on my shrunken stomach.

The stretch marks on my thighs look like turkey neck skin when I scrub my body after a run, and I get grossed out with the wobble they still make when I take a powerful step because I don’t move slowly anymore. I’m not a fast person, but I became one because there’s a need to leave myself behind even more so now.

My lung capacity is greater, but I still ache and creak and I notice it more and more. Each time I have to shift myself in my seat because my knees are aching, or my hips are tighter or whatever the reason, I notice it and it angers me.

I am angry at this body. I am angry that it isn’t what I want and yet I am terrified to lose it. The continued loss of who I was, the destruction of the person I thought I was, it’s not just physical. It’s excruciating to see what I’ve limited myself to because I didn’t think I was worth the time to learn.

How many things have I shuttered closed in my head because I believed I was too fat? Too massive, too bloated, too gross to ever be considered beautiful?

I am angry at this body because it’s making me learn to love it.

What It Sounds Like When I Write

I’m not going to upload a video of pen scratching on paper, don’t worry. But what I am going to talk about today is some of the music I tend to listen to when I write. I was going to do a character playlist, but I think instead, I’m going to give a few theme songs and some of the main music I tend to gravitate toward when I work.

I think I should first say I listen to a variety of music, but mostly instrumental because if it’s words I know, I tend to find myself focusing on those instead. I’ll listen to classical, film soundtracks, alt-rock, sometimes Viking metal, and sometimes nothing. Since I do a majority of my writing at work on my lunch break, listening to music helps drown out the sounds of my coworkers so I can zero in my focus. Sometimes it depends on the mood I’m in when I search for something to listen to, and sometimes I’ll just keep listening to what I started the day with.

If I need to have something emotional going? Season 8 of Game of Thrones, the second half of that soundtrack takes me to feelings I can sink into and push into my writing. Specifically these two songs:

Ramin Djawadi has a profound gift for infusing emotion into his work and I try to emulate that in the words I put down on the page. It’s a way to remind myself not to make the words ordinary. That I want to tell the story, yes, but in such a way it sticks in the readers’ minds long after they’ve finished. I love dissonance in music. If it resolves, great, but if it doesn’t? I am tossed into a place of joy. This is a thing Djawadi uses well within his work too. How can I create written dissonance? Something that twinges the brain into wanting the safety of before, not the twisting discomfort of clashing feelings. How do I put it into words?

It’s not just the forlorn which inspires me, but also the music inspiring boldness, the sound that gets under your skin and makes you want to climb mountains and stare at the sky above the clouds. It carries you past the left for broken feeling the previous chapter left with you. There is hope in the ending going where you want it to. Songs like these:

(yes listening to this for this post made me tear up a bit because I love this so much)

The last few songs I’m going to give you today are theme songs for some of my characters. All three of them fit those people in particular, but the one I have for Naim, it hit me within the first few notes of the song who this was for. Right around 0:24 is where it starts truly sounding like Naim, and until 0:49 I had this clear image of him slow shuffle dancing along a riverside, cigarette in his mouth, dreadlocks secured loosely, his leather jacket open and his arms wide to the sky as he tilts his head back and grins at the sunset. And the rest of the song fits him too, but that short range hit me with such an intense image of someone I didn’t quite have a handle on before, and now he’s one of the more developed of the series. Here’s Naim’s theme song:

The next theme is Milton Fogg’s. I don’t want to go too far into why it’s his theme because I feel like that spoils more than I want to put on the internet, but again within the first few moments of the song, I saw Milton stepping into a building, his silver tipped walking stick tapping on the marble floor as peons scatter around to be ready for whatever he needs. He passes off his top hat to a quivering underdog, and he makes his way to the golden elevators where he spins on his heel and gives a infinitesimal smirk before the doors close. He’s a smug bastard, and he knows how to get what he wants. This is his theme:

The last song is a piece of music, and it happens to be one of my very favorites. It’s not got lyrics, and it’s more of a philosophical look at a theme song for a character. This is Frankie’s theme song:

This song is the end for Frankie. I don’t want to go too much deeper into it because that’s hella spoilers, but there is a very specific reason this song is the end song. It represents what could have been, what should have been, and what will never be. (I know, I grossed myself out a bit with that, too, but it’s the truth.)

And so, I leave you with the hope that your own writing is going well. That you don’t smudge your pages too much, that your computer battery life lasts long enough for you to finish your thought, and that the songs you use for inspiration give life to the words you choose.

Until next time, friends. (I’ll have finished the first book by next post)

From My Journal – Language Update

Hey, there friends! Happy New Year! I’m behind my own arbitrary posting schedule already, but that’s because I gave myself the deadline of January 31st to finish the first book of my series. I also decided that I am not writing with the expectation of becoming a best seller, but more for myself because I love telling this story so much. And that is pretty much where I find myself this evening as I scurry around for a post.

I’m doing a few challenges this January that I’ll talk about in February, but one of the things I’ve challenged myself for the entire year of 2022 is to read more. As with many writers, I find when I read more, I write more. And better. Obviously not on this blog because of the run ons, the inconsistent punctuation, etc, etc. The beauty of this blog is again, I’m writing for myself. I was going to start this year with a book dump of some books I recently finished reading, but I decided to go for a journal update. The last spreads I have to get done before I start the dictionary for the language I’m creating are the plot outlines of each book.

So, the photo for today is a look at the beginning of the dictionary for Moartean. I got the A section for English done last week, and that felt pretty cool. My strategy is to go through a “learner’s” dictionary and pick words that I think the Moarteans would use. The biggest thing for me is trying to figure out which ones could be used multiple ways. Moarteans are interesting people in that they are simple when it comes to words, but complicated when it comes to expressing themselves. Some words can be used interchangeably, while others are kind of “what is this person trying to say to me?” It’s an fascinating thing where I look at words like, “alert,’ and “alarm.” They mean similar things, but have different applications that require context. So, do I make them interchangeable? Or do I apply context to them?

I know it’s extra to create a language. I know not many people would want to do such a thing. But it makes too much sense to me, and incorporating some of it into each book, with the third book having the most in it, feels ridiculously satisfying. I created a prophecy using the language and reading it out loud makes the nerdy part of my brain tingle in a way that it rarely does unless I’ve spent an entire day writing or working on writing things.

I know I post a lot of things motivating people to believe in their goodness and their worth, and that will still be a thing, but this year I’m going to try and incorporate more of what I love into this blog. It’s still a lifestyle blog, but writing is what makes me feel the most real. I know that sounds so pretentious and cliche, but I don’t do a lot of appreciation of myself. Seeing the world I’ve created in my head over the last decade come to life on the page is a feeling I don’t think I have the words to give you. If I could pass the brightness to you, so you could get a glimpse of effulgence I feel after wearing my neck out from being hunched over a notebook for a day, I would give it to you. I would love to share that joy with you.

And that’s a small look into my last few weeks, creativity wise. I hope your year has started well, and I hope you are being kind to yourself because you deserve kindness. I’ll see you soon with a look at some of the books I finished already this month.

Until next time, friends.

Brought To You By Powdermilk Biscuits

“Don’t be so hard on yourself,” they say,
their hands poised to slap me.
I know they think I’ll fight back,
but I won’t.
I gave up years ago
when my father left us
for the theatre
(I think that’s what we called it)
and I let the fight in me
go with him
because he’d need it
to get me to love him again.

Disclaimer: this is not about my actual father