I’ve finished chapter eight of Lazarus Rising’s first draft. I’m writing from Fogg’s perspective in the beginning of this book, giving him some space to be seen. Not that he deserves such a grace given who he is. Some of the feedback I’ve gotten on Keeper is how dark it is, how violent Frankie ends up being in some instances. I guess I never really saw it as violence if she’s just using what she learns in defense of herself. Because that’s what it all ends up being, self-defense. I suppose I could probably leave some of the finer details out, but what I’ve enjoyed about my writing growth while working on the whole Maker series is seeing how I can use the darker sides of myself to propel a story. How I can give voice to the parts of me that otherwise wouldn’t be expressed. I’m not a murderous psychopath. But someone in my stories is, so I can take them as far as I want to, knowing I am safe from their evilness.
That then begs the question: how much of it is author-insertion? Do I have thoughts of violence? Do I run through the scenes that appear in my books like I want them to be realities? I don’t want them to be real. That’s the beauty of living in fiction, I can put people who don’t exist through extraordinary ordeals to show just how much they can handle–or not handle–and come out on the other side of it. It’s a wonderful thing, the power of creation. I don’t want the world to burn in reality, but I can sure write it doing that very thing in a book.
I’m going to keep going for tonight, and get as much done in chapter nine as I can. I’m almost done writing Fogg’s bit, and then I’ll have a chapter interlude for the Unbound, and then it’s back to Frankie. The page number formatting for this is going to be a nightmare, but I will get it done.
And that’s all I have for you today. Until next time, friends.
salisbury.fake 