How Are Birds Even Real?

Note: This is a piece written in three parts in response to my mother’s near-fatal car accident in November 2024. It is my honesty as bare as it can be and while I had trepidation posting this piece, I am trying not to be ruled by my fear that she’ll have a damaged reputation after posting it. I’m tired of being responsible for holding the truth of how me and my siblings grew up. I guess I hope leaving it here makes some of the exhaustion go away.

11/14/2024 – Written at my mother’s hospital bedside

What does it say about how I grew up that all three of my mother’s children have been subconsciously preparing to get a phone call from a stranger saying she’s died in an accident she caused?

How do I describe—even a little—the fear that bolted through me when I heard the woman who stopped to help say they could hear the sirens?

Sometimes I am so tired of being my mother’s mother. My mother’s main source of any kind of human contact. It is excruciating to be the one fielding calls and asking questions of people in medical attire. Telling well-wishers, “thank you for stopping by” when I want to tell them to leave because she won’t shut up until they do and she has a broken sternum.

I want her to lie still and be quiet for once. Let silence help her heal, but I think the quiet terrifies her. She needs sound so she isn’t alone.

She’s lying down as much as she can and I see her pulse in the thin skin of her neck. Her eyes are closed and every now and then her nostrils flare as some kind of pain passes over her, and she fights back tears.

This woman gave me life and I am livid she is so careless with hers.

Birds have hollow bones. I remember thinking when I was a kid that was impossible because bones are full of marrow and such a vital part of being complete. Structure and stability in a consistency not seen in my life otherwise.

My mother keeps thanking me and my sister for being here. She’s telling everyone I told my boss I wouldn’t be in the rest of the week, but really I told her it was just today.

Is this a glimpse of what it’ll be like in ten years when I’m the closest and the time comes for real? Am I selfish for being angry my life has to be halted so I can help her restructure hers?

She broke her back.

She broke her sternum.

Her seatbelt cut slices into her hips and she has bruises purpling her stomach. She can’t walk because her left foot is twice the size it usually is. Her right hand has a gash across her knuckles and it has yet to be stitched up.

She had a morbid sense of pride when she announced there was a puddle of blood that morning from where the staples held her skin together.

Do birds have skin on their wings? Or is it just feathers? I bet they have skin. They have to, right? Follicles for the feathers to protrude and spines to remain.

She’s eating her sandwich and talking again. She slept for about twenty minutes. There is an emptiness in my whole body and my anger is rearing.

We are so fragile and easily shattered.

My mother is enjoying being taken care of, which everyone eventually does, but watching her direct my sister and talk to the nurses opens up a part of me I thought healed.

Am I a bad daughter for being so bitter?

I want to weep.

I want to go home.

I want to stop feeling so angry.

How do birds know where to go? How do they know the movement of their wings will beat enough to lift them into the air? Do they tuck their feet automatically? Press their tiny talons into the softness of their feathers as they soar?

Her hand is bleeding again. She’s making jokes. We briefly talked of the events last night, and I want her to feel guilty. Feel even a twitch of remorse for never listening when we tell her to pay attention while driving.

Does this make me horrible? Does this mean I’m not a good kid?

I hate myself in a way I didn’t know I could.

My brother says he thinks I’m just tired.

I’m about to combust.

The After

I haven’t spoken to my mother since Thanksgiving. She messaged me for Christmas, and I didn’t respond. How can I be so callous to a woman who just had a serious, almost fatal car accident?

Because she smiled when we told her we were afraid.

It was a micro expression she’d deny ever making, but I’ve seen it my whole life. A flash of satisfaction that she’s somehow won.

I can still hear the way she tried to breathe when she called me that night. The way her voice sucked at the air she couldn’t catch.

She told my cousin I wigged out because a stranger called me to tell me what happened. She laughed when she said it.

I wake up reaching for my phone thinking it’s ringing and it’s that woman again. She was so frustrated with me because I didn’t know what to do. I think her name was Nicole. I wish I could find out how to thank her for stopping.

And apologize to her because I thought my mom was dying and I wasn’t ready for it. 

The ER people were very kind to me when I walked in. I know I looked terrified. My hands were shaking, and I had them stuffed in my pockets. A chaplain brought me back to a less crowded waiting area, and told me what they were doing for my mom.

I couldn’t sit. Had she fallen asleep at the wheel like she has countless other times? Why was that my first thought? The chaplain returned and asked me if I wanted water. I laughed and said no, thanks, because I laugh when I’m scared.

The fear isn’t so big, then.

My stepmom returned my panicked call and asked me if I wanted her to come to the hospital and sit with me. I couldn’t speak, so she answered for me and said she was on her way.

The manager came by and told me they were doing some x-rays and other tests. The chaplain returned and gave me a smile. He was a beautiful young man, and I think I fell in love with him for that night because of his kindness. Everyone kept asking if I wanted to go see my mom, but I said I was waiting for my sister to get there.

If my mom was dying, I couldn’t do it by myself.

My sister arrived and we went to see my mom. I cannot put into words how dead she looked. Her eyes opened and she smiled, and said some random things because she was on heavy painkillers.

The towels they’d used to soak up her blood were on the floor. Her hand was covered in a bandage drenched with iodine, and the gown she wore was spotted with pinkish brown.

I have seen the inside of my mother’s skin. I have seen the way her layers were shorn apart by her seatbelt and I see it when I close my eyes.

I condensed my brain into a speck so I could fix her life.

I texted her piano students, called her insurance company, called her physical therapy, called so many places. I spoke to the men from her church because she wanted a blessing.

People visited her daily. She told the story in the same inflection to everyone who would listen.

“There were no lights! I would have slowed down if there had been lights!”

She hit the other driver’s trailer full of wood at 55 mph. There is no more front end to her car. I went to the tow yard to take pictures for her insurance company.

The insurance company she’d been with for a week.

The tow yard wouldn’t move her car from where they’d parked it, so I bruised my arms and legs getting into it, sandwiched between two (far less damaged) vehicles. I knelt on the rain-soaked, bloodstained seats trying to recover the items she wanted. I cut my fingers on the glass blown across those seats like sand.

It was when she smiled at my fear, I understood: I would never be what I wanted to be for my mother. It wasn’t the decades of mental, emotional, and sometimes physical abuse. She didn’t hit me all the time, so it wasn’t bad. It wasn’t when she told me with the strongest conviction that the church she belongs to was more important to her than her children. It wasn’t even when she closed my arm in the car window when I was trying to breathe during a panic attack because she was swerving while driving.

It was her satisfaction that she owned my terror. I was afraid for her.

She is a master at manipulation. She is so good at making you feel like you’re worthless, that you don’t even know she’s the one doing it. I have cried in the deepest depths of my depression in her lap. I have asked her to make it stop hurting because I don’t want to leave, I want to stay and figure it out. She drank it in like my pain sustained her and she could use it when I didn’t do what she wanted.

She threw my demons at me when I wouldn’t help her immediately. “I’ve done this for you. You can’t help me with one small thing?”

Deflated.

Ransacked.

Gutted.

I never wanted to be better than her. It wasn’t about seeking her approval, but being enough as I am. Being allowed to stop reaching for some bar she’s tossed to the highest peak and laughs as she kicks my feet out from under me.

I want to ask her how she ever got joy out of owning a broken thing. If seeing me wither whenever I gave in to whatever she demanded of me when I was already stretched to impossible limits was really that big of a high.

I remember thinking when I was younger how birds are stupid things. Their tiny brains and their flappy wings. The Canadian geese that pooped everywhere were just taking up space. Terrorizing small children.

I was a bird.

I read about Icarus. How he flew too close to the sun and plummeted to the ocean. He was stupid, too. Be happy with what you have, I thought. What you have is what you deserve.

But what if Icarus laughed as he fell? I read somewhere that maybe he did, and I haven’t been able to see birds the same since. Why would a boy who could fly choose to stay on the ground when the sky is infinite?

I am a bird.

The Now

The psychological torment I went through as a child is why I will never fully trust another person. If my own mother derived joy from torturing and owning her children, how can I look at anyone else and believe they won’t do the same? I tell people, “you are valued because of who you are, not because what you give me.”

And I believe that with the entirety of my being.

There are some who have taken advantage of my desire to make sure no one else feels the way I do. Some who have used my emptiness of self to try and add me to their collection of misery. But I refuse to let myself be lost forever.

I accept that there are moments of uncertainty, that there are times where I cry over my sink as I wash my dishes because I miss my mom. I will not tell myself I’m dumb for crying. I will not tell myself I’m fine, when I am very much the opposite.

There is so much I wish I could be angry about in regard to my childhood. It’s not anger I feel, though. It’s sadness. It’s grief for the kid I never got to be. Sure, I had moments of being a kid, but it was always tempered with “what’s going to happen when I get home? What kind of mood is Mom in today? What have I done to upset her? I can fix it, whatever it is.”

Ten-year-olds are not meant to fix their damaged mothers. I forgive the parts of her that are broken, but I do not forget the way she used those to destroy me.

I Feel That: a small opinion piece on Emotive Writing

I was going to do a book review today and while I do intend to post book reviews on here eventually, I had a discussion with myself the other day while I was watching some stuff. First, I’m not an expert, so please don’t take my words as true advice. Second, it’s important to develop your own thoughts on how you approach writing. I see on writing forums the endless thread creations of “should I be a writer?” “How do I start writing?” “What makes a good writer?” And the eons of variations. Writing is so subjective. There’s no right or wrong way to do it. Not everyone is going to want to read your work, and that’s actually preferable. Then you can get a perspective from outside those who appreciate your style. It can help you grow as a writer and a person to hear from people who don’t necessarily jive with your jimmies. There are limits, of course. People end up being rude just because they can, and those people don’t matter to your growth. You are worth exploring your interests and you are capable of separating the shit from the shine.

So, that disclaimer/weird pep talk out of the way, let’s get going. I think a lot of people are faking emotion, or presenting something in a way that’s emotional without having the reality of the feeling behind it. Hold on, we’ll get to why, but let’s be real here. With the amount of distractions and the way the world is these days especially, not many people are able to tell the difference between what they’re feeling and what they think they’re feeling. If we’re not paying attention to ourselves, we can start to associate certain things with feelings instead of actually just feeling the feeling.

This might sound confusing, so let me try and go a bit further into it. Two things I came across recently for this: a video about how a singer wasn’t able to actually emote the feeling behind the lyrics of the song, and an episode of Criminal Minds from the earlier seasons. In the video with the singer, the commentator said it sounded like he was trying to make it sound emotional. “There’s something that comes across as very thought through. . .it’s about the dynamics of the singing. It just seems like he’s trying to make you feel something instead of feeling it and getting it out there with his vocals.” (Semi-quoted from this video here: https://youtu.be/ddUBW9Ms0mA link opens in a new tab) While he’s talking about a song I secretly like (don’t come at me, Justin Bieber can really sing when he puts his mind to it), he’s 100% accurate. Maybe there are some preconceived expectations of Mr. Bieber because of his history as a person, and perhaps we’re not really sold on how true this song is to him because of that. That idea is a completely different post, however, so let’s move on.

I’m not putting a spoiler warning here because Criminal Minds has been out for over 15 years and so if you haven’t seen it, that’s on you, not me. In one of the seasons, a character, Elle Greenaway, gets shot by an unsub (unknown subject–cute, yeah?) and while she’s in surgery, she sees the light at the end of the tunnel and her deceased father is waiting on the private jet to take her to heaven. It sounds like it would be an intense, emotional moment, right? But it wasn’t. Maybe it’s how the actress did her job, or maybe it was the writing of the scene, but it fell flat and pissed me off because it was forcing me into an emotional moment I didn’t believe in. This is also a pretty common trope in television series, but within the same series a few seasons later, Aaron Hotchner is in the hospital fighting a wound/scar tissue issue, and he sees his murdered wife and the guy who killed her. This was a far better use of the trope because we’d had time to learn about Hotchner and we’d had time to appreciate him.

All of this leads me to the topic today, emotive writing. I’m not talking about books that make you ugly cry, not completely, but I’m talking about writing that makes your readers feel something other than “I am here reading this book.” When I think about my favorite books, they’re designated as such because I usually had an emotional response to them. Again, not the kind that made me cry. Tana French’s In the Woods is a mystery and the entire time my anxiety built and by the end, I was ready to never set foot in woods again because of how intense the emotion was. The Green Rider series by Kristen Britain is one of my favorites because I have an emotional connection to the main character as she does her best to help keep her home safe. Through her challenges and failures, I am invested in what she does. I feel like I’m right there with her as she fights off the bad guys. Neil Gaiman plays into the part of me that still tries to be a kid full of wonder because of how imaginative his writing is. He grabs onto that and runs with it so by the end of the book, I’m ready for another adventure.

I think it’s impossible to list all the ways writers can work emotion into their stories, but the idea is it has to be genuine. It has to be real and honest. If we’re writing a death scene for a beloved character, have we really given the audience time to invest in them enough for this death to matter? Or are we playing on what we hope they’re bringing with them to the reading? This is getting a bit into some literary theory, which one day I might do a series of commentary on that, but for now, I think trying to reconnect to the characters we’re writing, the stories we’re telling, that’s what we should focus on. Yes, writing for a market is always the driving force, but even while doing that we can write for ourselves, too.

When I get too bogged down by “this plot doesn’t even exist” or “how many times has this person looked at someone with a glare” or “I’ve used these words too much in the last twelve pages,” I remind myself of this: remember why you started.

But Carla, that’s such a silly thing to think when you’re telling me to be more emotive in my writing. Is it? Why are you writing the story you’re working on, then? Is it because you got excited to tell it? You … felt … excited? Hmm? That’s a stretch, and I know it is, but there’s a level of truth to it. We write for ourselves first, and then the audience later. We’re telling stories we want to share, and if we don’t believe in them, you can sure as the wind blows bet your readers won’t either.

If you made it this far, thank you. I hope it wasn’t too disorganized and wordy. Stay safe and good luck to you and yours during the upcoming holiday season.