Random List of Facts About Me

A Q&A no one asked for:

Q: What is your favorite food?
A: Cheesy carbs, but also peanut butter

Q: Do you have a favorite color?
A: Blue, in any hue

Q: How about hobbies?
A: Sure, writing–although that one is more of a life. Reading (I’m currently reading two books, Eating Animals by Jonathan Safran Foer, and No Longer Human by Osamu Dazai. I just finished Accomplice to the Villain by Hannah Nicole Maehrer.)

I also enjoy hiking, art museums, listening to music, visiting my family, and seeing my friends.

Q: How big is your family?
A: I have a blended family, which gives me two brothers and three sisters. Most of us live in the US, but one sister lives in Japan with her family. I have four nephews and a niece. They range in ages from 6.5 years old to two less than a year old.

Q: What music do you listen to?
A: Pretty much everything. I’m not a country music fan, but I appreciate people are. I don’t usually listen to rap unless I’m in the mood for it. My most listened to band right now is Sleep Token (shut up, they’re good to me), but I also am very fond of soundtracks, “classical” music, and other assortments of musical acts like Dead South, Bedouin Soundclash, Breaking Benjamin, Noah Gundersen, Elbow, Modest Mouse, Heilung, Hozier, Juice WRLD, Keane, Linkin Park, Hanson, etc.

Q: Do you believe in God?
A: Not really. I used to. I was raised Mormon (LDS) and was fairly active in the church until my early twenties, and then I kind of had some stuff happen that didn’t really shake my faith, more confirmed some things I’d thought for a while. I do believe in a spirituality of sorts, not necessarily religiously. I find a lot of solace in nature, and I like being reminded there’s more out there much bigger than I am, and I can get easily lost in the thought of how rivers know where to go. Spirituality often gets misconstrued as having to do with religion, but I think it’s more a connection to our place in the universe. For whatever reason, evolution gave us the ability to have a deep thought now and then, and a lot of us humans ponder why we’re here. I certainly don’t know the answer to that, but I do know I’m doing my best to enjoy being here.

Q: What is your biggest fear?
A: The dark, deep water, mirrors, losing my family. The dark is, of course, the possibility of what’s inside the darkness, deep water because there’s an element of the unknown and darkness, losing my family is pretty obvious, haha. I don’t mean the natural way of life loss, though. I mean more the metaphorical loss. Mirrors because I don’t need to see things in there that don’t need to be.

Q: Is there a Mr. Salisbury Fake?
A: No, and I don’t seek one. There is loneliness from time to time, but that’s human nature. I am quite content by myself. I think one day it’d be cool to be married, but that would probably be a weird relationship to outsiders. I’d like having someone, but I’d also really like being left alone, haha.

Q: Are you romantic?
A: Unbearably so. I think there is beauty in romanticizing life to an extent. I don’t think it’s good to let romance become delusion.

Q: So, if you did get married, what would your choice of ‘first dance’ song be?
A: Blue Skies by Irving Berlin, but specifically from the Picard season 1 soundtrack.

Q: Are you happy?
A: Happiness is such a fleeting feeling and something I think as elusive as perfection. I don’t strive for happiness, I strive for contentment. Far more achievable and far more sustainable. Happiness is important and something to enjoy when it appears (such as seeing my brother’s kids play together), but to me it’s far more important to understand it’s okay not to be happy all the time. Generalized contentment is my preferred goal, and so in that line, I say yes. I am content. Wanderlust and yearning aside, I am content.

Q: Did you make up all of these questions for this interview with yourself?
A: Yes. Yes, I did.

Until next time, friends.

Writing Journal #9 Probably

Hi, salutations, popcorn in your bucket, and maybe some peanut butter and jelly on your sandwich?

I’ve been writing, sure. The “Summer Project” is about to be merged with the 2023 draft, and that’s exciting. I have to … grow up? the 2023 draft a bit more because the character is older and some of the stuff is youthful.

Been reading. Finished The Poisonwood Bible by Barbara Kingsolver (highly recommend). Read through a few others this afternoon, actually, and had the thought that I don’t think all people who can discuss books should write them. A lot of “thrillers” and “mysteries” are being churned out by the booktok machine and it’s clearly written for popularity rather than substance. That’s okay. The world does need books like that for the readers who want them. I am not one of them, it seems, so I will consume with caution from now on.

I don’t consider those books beneath me, but I prefer the books I read to offer a satisfying conclusion to a building of tension and “thrill.” Both endings of the books I read today were rushed and one of them I predicted well before the reveal of the “twist” and I felt let down. This is why I don’t tend to read modern mysteries. I usually figure them out before the halfway point and I get frustrated.

That’s all the spokes from this wagon wheel, darlings. I hope you’re well, and I hope the heat isn’t keeping you down.

Until next time, friends.

Writing Journal #8

A few thoughts and then I flee again. Not much to report, really. I’ve been

s t r u g g l i n g

to write my summer project. Most of it consists of staring at a blank page of notebook paper and wondering if I finally developed carpal tunnel from my decades of writing everything by hand. I mentioned something about maybe “outgrowing” a project, and I think I have a little here. And by a little I mean a lot. I still want to tell the story, but it feels like every other romance novel out there. What separates my characters from anyone else’s? Why should anyone give a shit about this story?

Am I being morose? Yeah. There’s a starvation in my chest. An ache where I wish I could stuff someone in there and love them. Loneliness and yearning I can’t explain rationally. But is that kind of thing ever rational? I don’t know, but I feel so stolen by it whenever it finds me. Kind of jerked out of time, a bit. My brain just rattles around trying to find the place it fits and the room is a mess.

Trying to write while being suspended above yourself is rather impossible. I could shove all I’m feeling into the story currently eluding me, but no one wants to read realism in romance. We all want to be swept into a reality not our own, and if I put down on paper my vulnerabilities like that, what am I setting loose into the world?

I know, I’m writing it down here, but no one really reads this, so I’m not too bugged. I want to be seen, but unknown. If you only see what I drop onto this screen, I still own myself and I am not beholden to anyone other than the gromblins chewing on my cerebellum.

How do you put such distended limbs on a person you create?

If I could find the right words, I know I’d find the story properly again, but for now, they’re going to remain buried in the pile. Slippery from being disgorged out of the intestine of my thoughts.

Do I even want to write? Do I want to see my words continually fail? Maybe if I write the wrong ones enough times, I’ll get something to make sense.

Blood Meridian by Cormac McCarthy

“If God meant to interfere in the degeneracy of mankind would he not have done so by now? Wolves cull themselves, man. What other creature could? And is the race of man not more predacious yet?”

I was 102 pages in when the violence finally made me pause. It was a long pause. I don’t usually annotate books I read, but this one I started underlining and writing in margins (in pencil, as I’m not an entire heathen). My note on page 102-103 is, “this is the first instance where the violence struck me. Up until now, it’s almost been a desensitization, but the nonchalance of Glanton and the visceral description of the woman’s death is such a stark interjection within the sleepy atmosphere.”

Glanton, the person I’d consider the main antagonist of this book (although others would call the Judge the antagonist, but we’ll get to him), kills this old woman by pointing one direction, and once her head’s turned, he shoots her point blank. Before this moment there are dozens of descriptions of violence, but it is the taciturn way in which Glanton takes this life that caught me so abruptly I had to step out of the story for a few days.

I read this whole thing slowly.

I needed to take my time with it because of a few things, but the biggest reason is how comfortable with the violence I got while reading. It’s a morbid lullaby, the way it weaves in and out of the ride through the untamed West. It seeps into your bones as you read, reminding you that you are part of it.

It brought me back to how I felt about Tender is the Flesh last year, where I felt like I’d been the one to do the killing.

Page 142: “The leaves shifted in a million spangles down the pale corridors and Glanton took one and turned it like a tiny fan by its stem and held it and let it fall and its perfection was not lost on him.”

My note: “Glanton noting the perfection of a leaf is such a stark contrast to him killing the old woman a few chapters ago.”

That is where I decided Glanton was the villain of this book. A man without true empathy wouldn’t be able to recognize the absurdity of pondering the machinations of a leaf while having spilling innocent blood.

Page 184: “They passed through small villages doffing their hats to folk whom they would murder before the month was out.”

My note: “How many people were killed during this time? How many forgotten because no one was left to remember them?”

McCarthy is an acquired taste. He’s known for his rambling passages and infatuation with leaving punctuation out of his life. He has wisdom in his words, but sometimes it’s so buried within the mire of his writing style that one has to attempt multiple readings.

This is not a book to read twice. It left me feeling heavy and empty at the end of it. All the violence, for what? To prove he could get away with it under the guise of literature? It’s very much a book that people say they love because it makes them sound and feel edgy. Like they’ve seen some things, man.

Not everything needs to be a contest of sufferings.

There’s such an absence of emotion from most of the characters as they go around killing for their government. Getting rid of the people there before them. It leaves a sour taste all through my digestive system as I try to empathize with any of the riders in Glanton’s crew. The one I could not find any sort of understanding for was the Judge.

He and Glanton are made for each other in their insensate glorification of the blood they spatter. The Judge is the metaphor for the Devil, I assume, although I would say he’s the one who acts on behalf of the Devil, who as I said before is Glanton. But the darkness inside the Judge is a level that had me react physically to several of the lines he said.

Page 207: “Whatever exists, he said. Whatever in creation exists without my knowledge exists without my consent.”

And shortly after on page 208: “The freedom of birds is an insult to me. I’d have them all in zoos.”

In all the books I’ve read in my life, there are two villains I’ve come across: the broken and the batshit. The broken ones, I’d toss Glanton in that category. He’s got a smidgeon of humanity in him because even though he doesn’t care what happens to the men on his crew, they are his crew and he treats them with a modicum of respect.

The judge is the one I’d put in the batshit category. He says some of the most unhinged garbage I’ve ever read, and he says it with such an authority behind it. Like he knows that someday someone will find what he’s spoken and will choose to live by it. He believes himself invincible. One has to be crazy to truly believe that, right?

There is a plot to this book, somewhere. What it is, I don’t know that I could say it’s linear. It’s more of a character study, where the Kid is placed in unbearable circumstances right from the beginning. It’s a test of who we really are at the end of whatever day. Do we stand by and allow ourselves to be swept into the current of hell racing toward us? Or do we fight that flushing of refuse and black bile back? Do we dig our feet into the earth and demand that darkness do its worst?

We do not have to be heroes, but we have to be able to look at ourselves at the end of this romp through the meadows of life and say we were our truest selves. That no one ever made us compromise on who we are for safety. For the luxury of silence.

7.5/10

*******I read the 1992 First Vintage International edition*******

What Even Are We?

Wow, two posts in one week, is it Christmas??

I find myself in this pit of angst.

Or a sort of angst.

Every so often I get this bout of “stronger than normal” depression and I find myself restless to the sky with how empty life can be, even if it’s so full.

Those questionnaires at the doctor’s office all “do you struggle to enjoy things you once enjoyed?”

I struggle so fiercely it hurts and people tell me they’re worried about me, and it makes me think, “Oh, I should get better at hiding this.”

Don’t weigh the world down with your non-emergent saddies, me. You’re not being blown to bits every day, so what can you possibly find to be sad about?

It’s not even sadness, though. That’s what I think throws people when I tell them I’ve been living with major depressive disorder most of my life. “But you’re so funny! You’re always making others feel like they matter!”

I’m fuckin’ hilarious, yes.

Because I don’t want you to see inside me.

I don’t want you to see the ugly tar dripping down the walls of my mind because you would be horrified. The mess manifests on my kitchen counter in weeks of tupperware I can’t wash because then that means something bad might happen.

“It’s my emotional support yogurty jar I could have rinsed out but didn’t because I need to see how awful of a person I am.

We joke and we laugh about the things breaking us apart, and I want to keep laughing, but I am so tired.

I know there are reasons to stay, and they are keeping me here, but isn’t it all right if I just crumble for a bit? I don’t not love you, I just need to be by myself so I don’t appear weak in front of you. Weakness only I dump on myself as a label because everyone else calls me strong.

Let me sit down.

Let me see the way the sun sets and the moon rises while eating a bag of Doritos stale from having been left open in the pantry too long.

Let me be sad without wanting to fucking fix it because I want to see it in its grotesque formless mass. I want to hold it and see the places I rip myself into shreds. So I can see it coming next time.

I’ll be fine.

Until next time, friends.

Writing Journal #7?

Heyooooo what is up my friends?

Actually, give me a second. Gonna go look at the last journal and see what all I said.

Ah yes. Well, the car is broken broken, and I now have a new vehicle to cart me on my adventures (to the office because all I do is work). I wrote a short story for a contest on a writing forum. I’m currently …. with some votes.

Have you ever “outgrown” a story? I felt lost with the novel I’ve deemed the “summer project” and I was worried I’d lost my way with it. Not necessarily that it was a bad story, but maybe I no longer felt like it needed to be told.

I rearranged a chapter and rewrote some other scenes and now I’m writing like a fiend. I still think I have some lingering “am I no longer able to write this story?” but for the most part, it feels like I’m moving forward at a steady pace. My right wrist and middle finger say “maybe lighten up on how you hold the pen, fool.”

I think that’s all I have for now. I hope you are doing well. I hope your stories are coming to you word by word and page by page.

Until next time, friends.

Middle of the Week–What?!

That’s probably the last time I’ll try to get cute with titles. Maybe.
Probably not. I’m fun like that.

Hello. Welcome. Thank you for being here. In general, and also looking through my rambly show-and-tell of sorts. What have I been doing? A whole bunch of working for my day job, and a bit of everything else. I went on a trip to another state with some friends this last weekend and got myself some books and rocks. I don’t do the crystal thing, but I do like the way rocks feel when I touch them sometimes, so I got the ones that felt the best. I had a blast hanging out with my friends.

Writing wise, I’ve been outlining a project I hope to complete this summer. I’ve been struggling with writing it first because it just falls so flat on itself and I’m forcing moments when they should be happening as they will. The bones are there, now time to stick the goo on it. I don’t know if I said so last time, but I finished the first handwritten draft of my third book in the Maker series. It’s currently sitting on my printer waiting to be typed up. Might do that with the rest of this week I have off.

My car broke down (truly a joy) so the plans I had to go to the movies and do some fun outings by myself are pushed to a weekend or something. The car shall be returned to me on Monday, so fret not, in case you were. I’m not pleased with the cost of repairs, but ya know, it’s not the price of a new car, so, there is that.

One of my best friends brought her chainsaw over and we got the bushes in front of my house cut down and I’m pretty stoked to start my summer outside projects. I despair at my backyard, but I also think once I get out and start groovin’, it’ll get figured out.

Sometimes it catches me off guard how many people enjoy being around me. Kind of like tapping the part of me that is obsessed with hating itself on the shoulder and whispering loudly, “You’re not the trash you demand you be.”

That’s all the cheese on this block, friends. Thank you for stopping by. It was truly nice to see you.

Until next time!

How Are Birds Even Real?

Note: This is a piece written in three parts in response to my mother’s near-fatal car accident in November 2024. It is my honesty as bare as it can be and while I had trepidation posting this piece, I am trying not to be ruled by my fear that she’ll have a damaged reputation after posting it. I’m tired of being responsible for holding the truth of how me and my siblings grew up. I guess I hope leaving it here makes some of the exhaustion go away.

11/14/2024 – Written at my mother’s hospital bedside

What does it say about how I grew up that all three of my mother’s children have been subconsciously preparing to get a phone call from a stranger saying she’s died in an accident she caused?

How do I describe—even a little—the fear that bolted through me when I heard the woman who stopped to help say they could hear the sirens?

Sometimes I am so tired of being my mother’s mother. My mother’s main source of any kind of human contact. It is excruciating to be the one fielding calls and asking questions of people in medical attire. Telling well-wishers, “thank you for stopping by” when I want to tell them to leave because she won’t shut up until they do and she has a broken sternum.

I want her to lie still and be quiet for once. Let silence help her heal, but I think the quiet terrifies her. She needs sound so she isn’t alone.

She’s lying down as much as she can and I see her pulse in the thin skin of her neck. Her eyes are closed and every now and then her nostrils flare as some kind of pain passes over her, and she fights back tears.

This woman gave me life and I am livid she is so careless with hers.

Birds have hollow bones. I remember thinking when I was a kid that was impossible because bones are full of marrow and such a vital part of being complete. Structure and stability in a consistency not seen in my life otherwise.

My mother keeps thanking me and my sister for being here. She’s telling everyone I told my boss I wouldn’t be in the rest of the week, but really I told her it was just today.

Is this a glimpse of what it’ll be like in ten years when I’m the closest and the time comes for real? Am I selfish for being angry my life has to be halted so I can help her restructure hers?

She broke her back.

She broke her sternum.

Her seatbelt cut slices into her hips and she has bruises purpling her stomach. She can’t walk because her left foot is twice the size it usually is. Her right hand has a gash across her knuckles and it has yet to be stitched up.

She had a morbid sense of pride when she announced there was a puddle of blood that morning from where the staples held her skin together.

Do birds have skin on their wings? Or is it just feathers? I bet they have skin. They have to, right? Follicles for the feathers to protrude and spines to remain.

She’s eating her sandwich and talking again. She slept for about twenty minutes. There is an emptiness in my whole body and my anger is rearing.

We are so fragile and easily shattered.

My mother is enjoying being taken care of, which everyone eventually does, but watching her direct my sister and talk to the nurses opens up a part of me I thought healed.

Am I a bad daughter for being so bitter?

I want to weep.

I want to go home.

I want to stop feeling so angry.

How do birds know where to go? How do they know the movement of their wings will beat enough to lift them into the air? Do they tuck their feet automatically? Press their tiny talons into the softness of their feathers as they soar?

Her hand is bleeding again. She’s making jokes. We briefly talked of the events last night, and I want her to feel guilty. Feel even a twitch of remorse for never listening when we tell her to pay attention while driving.

Does this make me horrible? Does this mean I’m not a good kid?

I hate myself in a way I didn’t know I could.

My brother says he thinks I’m just tired.

I’m about to combust.

The After

I haven’t spoken to my mother since Thanksgiving. She messaged me for Christmas, and I didn’t respond. How can I be so callous to a woman who just had a serious, almost fatal car accident?

Because she smiled when we told her we were afraid.

It was a micro expression she’d deny ever making, but I’ve seen it my whole life. A flash of satisfaction that she’s somehow won.

I can still hear the way she tried to breathe when she called me that night. The way her voice sucked at the air she couldn’t catch.

She told my cousin I wigged out because a stranger called me to tell me what happened. She laughed when she said it.

I wake up reaching for my phone thinking it’s ringing and it’s that woman again. She was so frustrated with me because I didn’t know what to do. I think her name was Nicole. I wish I could find out how to thank her for stopping.

And apologize to her because I thought my mom was dying and I wasn’t ready for it. 

The ER people were very kind to me when I walked in. I know I looked terrified. My hands were shaking, and I had them stuffed in my pockets. A chaplain brought me back to a less crowded waiting area, and told me what they were doing for my mom.

I couldn’t sit. Had she fallen asleep at the wheel like she has countless other times? Why was that my first thought? The chaplain returned and asked me if I wanted water. I laughed and said no, thanks, because I laugh when I’m scared.

The fear isn’t so big, then.

My stepmom returned my panicked call and asked me if I wanted her to come to the hospital and sit with me. I couldn’t speak, so she answered for me and said she was on her way.

The manager came by and told me they were doing some x-rays and other tests. The chaplain returned and gave me a smile. He was a beautiful young man, and I think I fell in love with him for that night because of his kindness. Everyone kept asking if I wanted to go see my mom, but I said I was waiting for my sister to get there.

If my mom was dying, I couldn’t do it by myself.

My sister arrived and we went to see my mom. I cannot put into words how dead she looked. Her eyes opened and she smiled, and said some random things because she was on heavy painkillers.

The towels they’d used to soak up her blood were on the floor. Her hand was covered in a bandage drenched with iodine, and the gown she wore was spotted with pinkish brown.

I have seen the inside of my mother’s skin. I have seen the way her layers were shorn apart by her seatbelt and I see it when I close my eyes.

I condensed my brain into a speck so I could fix her life.

I texted her piano students, called her insurance company, called her physical therapy, called so many places. I spoke to the men from her church because she wanted a blessing.

People visited her daily. She told the story in the same inflection to everyone who would listen.

“There were no lights! I would have slowed down if there had been lights!”

She hit the other driver’s trailer full of wood at 55 mph. There is no more front end to her car. I went to the tow yard to take pictures for her insurance company.

The insurance company she’d been with for a week.

The tow yard wouldn’t move her car from where they’d parked it, so I bruised my arms and legs getting into it, sandwiched between two (far less damaged) vehicles. I knelt on the rain-soaked, bloodstained seats trying to recover the items she wanted. I cut my fingers on the glass blown across those seats like sand.

It was when she smiled at my fear, I understood: I would never be what I wanted to be for my mother. It wasn’t the decades of mental, emotional, and sometimes physical abuse. She didn’t hit me all the time, so it wasn’t bad. It wasn’t when she told me with the strongest conviction that the church she belongs to was more important to her than her children. It wasn’t even when she closed my arm in the car window when I was trying to breathe during a panic attack because she was swerving while driving.

It was her satisfaction that she owned my terror. I was afraid for her.

She is a master at manipulation. She is so good at making you feel like you’re worthless, that you don’t even know she’s the one doing it. I have cried in the deepest depths of my depression in her lap. I have asked her to make it stop hurting because I don’t want to leave, I want to stay and figure it out. She drank it in like my pain sustained her and she could use it when I didn’t do what she wanted.

She threw my demons at me when I wouldn’t help her immediately. “I’ve done this for you. You can’t help me with one small thing?”

Deflated.

Ransacked.

Gutted.

I never wanted to be better than her. It wasn’t about seeking her approval, but being enough as I am. Being allowed to stop reaching for some bar she’s tossed to the highest peak and laughs as she kicks my feet out from under me.

I want to ask her how she ever got joy out of owning a broken thing. If seeing me wither whenever I gave in to whatever she demanded of me when I was already stretched to impossible limits was really that big of a high.

I remember thinking when I was younger how birds are stupid things. Their tiny brains and their flappy wings. The Canadian geese that pooped everywhere were just taking up space. Terrorizing small children.

I was a bird.

I read about Icarus. How he flew too close to the sun and plummeted to the ocean. He was stupid, too. Be happy with what you have, I thought. What you have is what you deserve.

But what if Icarus laughed as he fell? I read somewhere that maybe he did, and I haven’t been able to see birds the same since. Why would a boy who could fly choose to stay on the ground when the sky is infinite?

I am a bird.

The Now

The psychological torment I went through as a child is why I will never fully trust another person. If my own mother derived joy from torturing and owning her children, how can I look at anyone else and believe they won’t do the same? I tell people, “you are valued because of who you are, not because what you give me.”

And I believe that with the entirety of my being.

There are some who have taken advantage of my desire to make sure no one else feels the way I do. Some who have used my emptiness of self to try and add me to their collection of misery. But I refuse to let myself be lost forever.

I accept that there are moments of uncertainty, that there are times where I cry over my sink as I wash my dishes because I miss my mom. I will not tell myself I’m dumb for crying. I will not tell myself I’m fine, when I am very much the opposite.

There is so much I wish I could be angry about in regard to my childhood. It’s not anger I feel, though. It’s sadness. It’s grief for the kid I never got to be. Sure, I had moments of being a kid, but it was always tempered with “what’s going to happen when I get home? What kind of mood is Mom in today? What have I done to upset her? I can fix it, whatever it is.”

Ten-year-olds are not meant to fix their damaged mothers. I forgive the parts of her that are broken, but I do not forget the way she used those to destroy me.

Writing Journal #6

Singing Justin Bieber’s “Baby” while unwrapping a peanut butter cup is peak Saturday morning behavior, I think. I don’t know if this is journal number six. I could look, but that requires more dedication to a numbering system than I particularly care for currently. I don’t know “Baby” past the chorus, so it’s been just a repeat of “baby, baby, baby, ohhhhh” progressively more offkey.

I haven’t been stuck. Well, no, I have been. Stuck in chapter twenty of the Lazarus Rising first draft. I’ve come across things I’ll “fix in post,” I tell myself. Scribbling late into the night because insomnia has come to visit again. Who needs sleep when words give so much more to me? I probably do need sleep, because the headaches that have come from this lack of it are just debilitating sometimes.

But yeah, finally got through chapter twenty, and I actually made it through chapter twenty-one. Finished that last night, and then when I woke up this morning, I had some clarity to restart the gibberish I wrote to open chapter twenty-two before I passed out.

Currently, peanut butter cups are eaten, and water should be next to consume, but that requires getting up again and I just sat down to keep typing up chapter fourteen. I don’t want to get half a book behind on typing again, so I’m going to spend today doing some of that. After I have brunch/lunch with some friends.

Depression has been keeping me company as of late. I see it. I wave at it when I get home. I tell it how my day has been, knowing full well it’s been right there at my ankles the whole time. It knows my weaknesses. It knows my sadness. Not a bad roommate, really. More like a mother giving you the silent treatment and you aren’t sure what you’ve done wrong, so you’ll keep trying your best not to mess anything else up.

I hope you’re doing okay. I hope you’re able to see the sun, and I hope the warmth sticks with you longer than you expect it to.

Until next time, friends.

Game Review – The Callisto Protocol

(image from encrypted-tbn3.gstatic.com)

I keep thinking about this game and how it made me feel, so I’m going to drop a review of it even though I’m not a gamer who plays. SPOILERS AHEAD so if you don’t want to read about the ending of this game, please feel free to skip this post.

Anyone who knows me knows my favorite games, tied for first (I’m being honest with myself) are Dead Space and BioShock. When Dead Space first came out, I was blown away by the design, the gameplay, the story, all of it just settled into my brain and was kind of the beginning of my love of science fiction. I’ve always liked science fiction, but Dead Space opened my brain up to the unsettling aspects of the unknown dangers in space. I know there are films and stories older than Dead Space, but I hadn’t taken part in those yet. Aside from Halo, I hadn’t really encountered that uneasy feeling of something ahead I couldn’t see, but knew it would be a problem. When the popcorn balls of Flood came swarming out of a hold in the first Halo game, that moment kind of kicked the part of my brain that likes the spooky space stuff into gear.

I begin with Dead Space because throughout the gameplay I watched of Callisto Protocol, I kept comparing it to Dead Space. They are incredibly similar in design and story. There are certainly different visuals and gameplay itself is different, but I think both games have elements that make them their own. I’ll start with the similarities:

  • Location has encountered unknown virus or disease taking over
  • Main character is the ‘go-fer’
  • Main character has a job unrelated to the primary functions people keep asking him to “fix” or “take care of”
  • Limbs seem to be the thing to remove in order to kill beasties faster
  • Cool guns/weapons
  • Figure of authority who is the cause of problems/doesn’t do anything to stop problems from spreading
  • Ambiguous ending (for main campaign play. Dead Space had two more games after, and Callisto Protocol had DLC that we’ll get into later)

The things Callisto did well:

  • World design
    • large prison moon that expanded across the entirety of the location. The depth of the prison is revealed to have an older, failed settlement underneath the initial location. There are several sequences of falling that help showcase the absolute behemoth of a world Callisto is.
  • Weapons
    • I thought it was ridiculously cool that you could 3D print your guns/upgrades. There was the standard “credits for upgrades” stuff throughout, but I enjoyed the animation for the printing of the upgrades every time it happened. The boom stick made such a satisfying sound when it hit enemies. That kind of small detail was one of my favorite parts of the whole game.
  • Visuals in general
    • The colors, lighting, textures, etc all played a part in making it an immersive environment. The design of the enemies (I called them gooey dudes and freezy boys depending on location) is gross enough to be what I’d consider a standard of the genre, but interesting enough to be distinguishable from other games. A caveat is the gooey dudes were a little similar to the clickers from Last of Us, but that’s a digression. When fighting on the surface of the moon, everything kind of had this grayscale effect to it that was really, really cool, and enemies kind of blended in if they weren’t frozen in place.
  • Sound design
    • Not only was the music a legit part of the environment, but the creaks and rumbles and splashes were all insanely fun. I started my watch-through not wearing headphones but quickly put them on because I couldn’t hear what Jacob (main character) was saying. The sound is binaural and wowzers. The anxiety is heightened when you can hear something ahead but you can’t see it. The voices of the security bots is also intensified when it sounds like they’re right next to you as you’re being stealthy.
  • Enemies
    • Speaking of the security bots, haha. As the location is a prison on a moon, the elements of security would necessitate bots of some kind. These bots are not the standard floating boxes. These bots are completely badass.
(image from fan art on a Reddit post: click to visit)

What enhances the security bots later is a misguided scientist’s attempt to combine biology with tech and all she gets is this monstrous metal gloopy being bent on killing everything. The reveal of these enemies is pretty cool because there’s the shiny metal, but also the muscle mass and sinew of mammalian biology.

What Callisto Protocol failed for me:

  • Main character is a bit boring
    • Jacob is a pilot, a courier. He crash lands on Callisto while delivering and is kept as a prisoner because he “knows too much.” I think this game fell into the trap of “meet here and we’ll decide what to do next” only to keep using that mechanic to propel the game forward. As Jacob, we do a lot of running to places to fix things I’m not sure a pilot would necessarily have the skill required to fix. There are some moments where the characters acknowledge this lack of skill, but he still manages to fix the things just fine. Josh Duhamel as the VA for Jacob was a solid choice, though.
  • Gameplay is repetitive
    • Not only do you have to keep meeting people only to have to meet them later on a different level for a different task, there’s a lot of repetition in those tasks. Changing a fuse to open a door is a pretty standard sci-fi horror task, but it seemed like there were very few doors we didn’t need to change a fuse for, or he had to cut the wires for something to open. The stealth kill animation is also very similar to Joel’s in Last of Us. I know there are going to be similarities, but even to the way the main character lays the victim down feels a little recycled.
  • Story doesn’t have much cohesion
    • This is strictly for main campaign gameplay. Once Jacob saves the life of a resistance member (Dani) from the virus, he sends her off in an escape pod. They’ve shared their memories so she has his knowledge of the situation, and he has hers of why she’s a resistance member. He then runs off toward the exploding prison like the hero he is. There is no explanation that makes sense to why Jacob “knows too much.” It’s revealed he has some kind of dementia, or amnesia, but there’s no explanation for that either. Supposedly this missing information is passed to Dani, but the player never gets that conclusion. For all we know based on the story presented, Jacob is just the victim of corrupt prison wardens and human security and he doesn’t actually know anything.
  • DLC felt like an insult
    • The main campaign takes about seven hours to complete. The DLC adds almost another three. Essentially 9 hours of total gameplay. It’s full of the whole “we need to do this before we can do that! Meet me here and I’ll open the door for you!” tactic, and that grows incredibly tiresome after a few hours. The continuation of that for the DLC is a disappointment because we don’t get to have proper exploration of the world or story.
    • SPOILER: (the DLC) it was all just in his head. The reveal at the end of the DLC that this was all a “could have been/might have been” as he’s dying in the scientist’s lab is such a slap to the face. When Jacob watches Dani fly off in the escape pod, he’s blown up. The prison doctor/scientist finds him and hooks him up to her machines. All of the running around he does in the DLC is just a dream he conjures while being kept alive so his memories can transfer. In the scheme of storytelling, this is such a cheap way to end a story you didn’t even bother to fill out in the first place. There’s no explanation for pretty much anything, and we’re left to wonder why we played the game so long if it wasn’t going to give us any conclusion.
      • ANOTHER SPOILER: At the very end, Josh Duhamel’s voice comes out of Jacob and he’s shouting that “hey, it’s me, Josh! I’m not dead! Hey!” This would have been fun to me if I hadn’t just witnessed it all being a dream. It felt like the producers laughing as they turned the lights off and left me in the dark as I asked why.

All of the negatives I’ve listed do not detract from the fact I loved this game up till the end. The ending left me bitter and annoyed, but everything else was fantastic. There are similarities to Dead Space, yes, but I think overall Callisto is its own game and I think if we can forgive a shit ending, we can appreciate the game that got us to that shit ending. The visuals, especially the lighting with the sort of neon colors against the darkness of a failing environment, were so cool. Sound design was also amazing to me.

I think I originally gave this game a 6/10 because of the ending, but I feel like that’s harsh considering how much fun I had until that point. I will give this an 8/10.