Writing Journal #7?

Heyooooo what is up my friends?

Actually, give me a second. Gonna go look at the last journal and see what all I said.

Ah yes. Well, the car is broken broken, and I now have a new vehicle to cart me on my adventures (to the office because all I do is work). I wrote a short story for a contest on a writing forum. I’m currently …. with some votes.

Have you ever “outgrown” a story? I felt lost with the novel I’ve deemed the “summer project” and I was worried I’d lost my way with it. Not necessarily that it was a bad story, but maybe I no longer felt like it needed to be told.

I rearranged a chapter and rewrote some other scenes and now I’m writing like a fiend. I still think I have some lingering “am I no longer able to write this story?” but for the most part, it feels like I’m moving forward at a steady pace. My right wrist and middle finger say “maybe lighten up on how you hold the pen, fool.”

I think that’s all I have for now. I hope you are doing well. I hope your stories are coming to you word by word and page by page.

Until next time, friends.

Middle of the Week–What?!

That’s probably the last time I’ll try to get cute with titles. Maybe.
Probably not. I’m fun like that.

Hello. Welcome. Thank you for being here. In general, and also looking through my rambly show-and-tell of sorts. What have I been doing? A whole bunch of working for my day job, and a bit of everything else. I went on a trip to another state with some friends this last weekend and got myself some books and rocks. I don’t do the crystal thing, but I do like the way rocks feel when I touch them sometimes, so I got the ones that felt the best. I had a blast hanging out with my friends.

Writing wise, I’ve been outlining a project I hope to complete this summer. I’ve been struggling with writing it first because it just falls so flat on itself and I’m forcing moments when they should be happening as they will. The bones are there, now time to stick the goo on it. I don’t know if I said so last time, but I finished the first handwritten draft of my third book in the Maker series. It’s currently sitting on my printer waiting to be typed up. Might do that with the rest of this week I have off.

My car broke down (truly a joy) so the plans I had to go to the movies and do some fun outings by myself are pushed to a weekend or something. The car shall be returned to me on Monday, so fret not, in case you were. I’m not pleased with the cost of repairs, but ya know, it’s not the price of a new car, so, there is that.

One of my best friends brought her chainsaw over and we got the bushes in front of my house cut down and I’m pretty stoked to start my summer outside projects. I despair at my backyard, but I also think once I get out and start groovin’, it’ll get figured out.

Sometimes it catches me off guard how many people enjoy being around me. Kind of like tapping the part of me that is obsessed with hating itself on the shoulder and whispering loudly, “You’re not the trash you demand you be.”

That’s all the cheese on this block, friends. Thank you for stopping by. It was truly nice to see you.

Until next time!

How Are Birds Even Real?

Note: This is a piece written in three parts in response to my mother’s near-fatal car accident in November 2024. It is my honesty as bare as it can be and while I had trepidation posting this piece, I am trying not to be ruled by my fear that she’ll have a damaged reputation after posting it. I’m tired of being responsible for holding the truth of how me and my siblings grew up. I guess I hope leaving it here makes some of the exhaustion go away.

11/14/2024 – Written at my mother’s hospital bedside

What does it say about how I grew up that all three of my mother’s children have been subconsciously preparing to get a phone call from a stranger saying she’s died in an accident she caused?

How do I describe—even a little—the fear that bolted through me when I heard the woman who stopped to help say they could hear the sirens?

Sometimes I am so tired of being my mother’s mother. My mother’s main source of any kind of human contact. It is excruciating to be the one fielding calls and asking questions of people in medical attire. Telling well-wishers, “thank you for stopping by” when I want to tell them to leave because she won’t shut up until they do and she has a broken sternum.

I want her to lie still and be quiet for once. Let silence help her heal, but I think the quiet terrifies her. She needs sound so she isn’t alone.

She’s lying down as much as she can and I see her pulse in the thin skin of her neck. Her eyes are closed and every now and then her nostrils flare as some kind of pain passes over her, and she fights back tears.

This woman gave me life and I am livid she is so careless with hers.

Birds have hollow bones. I remember thinking when I was a kid that was impossible because bones are full of marrow and such a vital part of being complete. Structure and stability in a consistency not seen in my life otherwise.

My mother keeps thanking me and my sister for being here. She’s telling everyone I told my boss I wouldn’t be in the rest of the week, but really I told her it was just today.

Is this a glimpse of what it’ll be like in ten years when I’m the closest and the time comes for real? Am I selfish for being angry my life has to be halted so I can help her restructure hers?

She broke her back.

She broke her sternum.

Her seatbelt cut slices into her hips and she has bruises purpling her stomach. She can’t walk because her left foot is twice the size it usually is. Her right hand has a gash across her knuckles and it has yet to be stitched up.

She had a morbid sense of pride when she announced there was a puddle of blood that morning from where the staples held her skin together.

Do birds have skin on their wings? Or is it just feathers? I bet they have skin. They have to, right? Follicles for the feathers to protrude and spines to remain.

She’s eating her sandwich and talking again. She slept for about twenty minutes. There is an emptiness in my whole body and my anger is rearing.

We are so fragile and easily shattered.

My mother is enjoying being taken care of, which everyone eventually does, but watching her direct my sister and talk to the nurses opens up a part of me I thought healed.

Am I a bad daughter for being so bitter?

I want to weep.

I want to go home.

I want to stop feeling so angry.

How do birds know where to go? How do they know the movement of their wings will beat enough to lift them into the air? Do they tuck their feet automatically? Press their tiny talons into the softness of their feathers as they soar?

Her hand is bleeding again. She’s making jokes. We briefly talked of the events last night, and I want her to feel guilty. Feel even a twitch of remorse for never listening when we tell her to pay attention while driving.

Does this make me horrible? Does this mean I’m not a good kid?

I hate myself in a way I didn’t know I could.

My brother says he thinks I’m just tired.

I’m about to combust.

The After

I haven’t spoken to my mother since Thanksgiving. She messaged me for Christmas, and I didn’t respond. How can I be so callous to a woman who just had a serious, almost fatal car accident?

Because she smiled when we told her we were afraid.

It was a micro expression she’d deny ever making, but I’ve seen it my whole life. A flash of satisfaction that she’s somehow won.

I can still hear the way she tried to breathe when she called me that night. The way her voice sucked at the air she couldn’t catch.

She told my cousin I wigged out because a stranger called me to tell me what happened. She laughed when she said it.

I wake up reaching for my phone thinking it’s ringing and it’s that woman again. She was so frustrated with me because I didn’t know what to do. I think her name was Nicole. I wish I could find out how to thank her for stopping.

And apologize to her because I thought my mom was dying and I wasn’t ready for it. 

The ER people were very kind to me when I walked in. I know I looked terrified. My hands were shaking, and I had them stuffed in my pockets. A chaplain brought me back to a less crowded waiting area, and told me what they were doing for my mom.

I couldn’t sit. Had she fallen asleep at the wheel like she has countless other times? Why was that my first thought? The chaplain returned and asked me if I wanted water. I laughed and said no, thanks, because I laugh when I’m scared.

The fear isn’t so big, then.

My stepmom returned my panicked call and asked me if I wanted her to come to the hospital and sit with me. I couldn’t speak, so she answered for me and said she was on her way.

The manager came by and told me they were doing some x-rays and other tests. The chaplain returned and gave me a smile. He was a beautiful young man, and I think I fell in love with him for that night because of his kindness. Everyone kept asking if I wanted to go see my mom, but I said I was waiting for my sister to get there.

If my mom was dying, I couldn’t do it by myself.

My sister arrived and we went to see my mom. I cannot put into words how dead she looked. Her eyes opened and she smiled, and said some random things because she was on heavy painkillers.

The towels they’d used to soak up her blood were on the floor. Her hand was covered in a bandage drenched with iodine, and the gown she wore was spotted with pinkish brown.

I have seen the inside of my mother’s skin. I have seen the way her layers were shorn apart by her seatbelt and I see it when I close my eyes.

I condensed my brain into a speck so I could fix her life.

I texted her piano students, called her insurance company, called her physical therapy, called so many places. I spoke to the men from her church because she wanted a blessing.

People visited her daily. She told the story in the same inflection to everyone who would listen.

“There were no lights! I would have slowed down if there had been lights!”

She hit the other driver’s trailer full of wood at 55 mph. There is no more front end to her car. I went to the tow yard to take pictures for her insurance company.

The insurance company she’d been with for a week.

The tow yard wouldn’t move her car from where they’d parked it, so I bruised my arms and legs getting into it, sandwiched between two (far less damaged) vehicles. I knelt on the rain-soaked, bloodstained seats trying to recover the items she wanted. I cut my fingers on the glass blown across those seats like sand.

It was when she smiled at my fear, I understood: I would never be what I wanted to be for my mother. It wasn’t the decades of mental, emotional, and sometimes physical abuse. She didn’t hit me all the time, so it wasn’t bad. It wasn’t when she told me with the strongest conviction that the church she belongs to was more important to her than her children. It wasn’t even when she closed my arm in the car window when I was trying to breathe during a panic attack because she was swerving while driving.

It was her satisfaction that she owned my terror. I was afraid for her.

She is a master at manipulation. She is so good at making you feel like you’re worthless, that you don’t even know she’s the one doing it. I have cried in the deepest depths of my depression in her lap. I have asked her to make it stop hurting because I don’t want to leave, I want to stay and figure it out. She drank it in like my pain sustained her and she could use it when I didn’t do what she wanted.

She threw my demons at me when I wouldn’t help her immediately. “I’ve done this for you. You can’t help me with one small thing?”

Deflated.

Ransacked.

Gutted.

I never wanted to be better than her. It wasn’t about seeking her approval, but being enough as I am. Being allowed to stop reaching for some bar she’s tossed to the highest peak and laughs as she kicks my feet out from under me.

I want to ask her how she ever got joy out of owning a broken thing. If seeing me wither whenever I gave in to whatever she demanded of me when I was already stretched to impossible limits was really that big of a high.

I remember thinking when I was younger how birds are stupid things. Their tiny brains and their flappy wings. The Canadian geese that pooped everywhere were just taking up space. Terrorizing small children.

I was a bird.

I read about Icarus. How he flew too close to the sun and plummeted to the ocean. He was stupid, too. Be happy with what you have, I thought. What you have is what you deserve.

But what if Icarus laughed as he fell? I read somewhere that maybe he did, and I haven’t been able to see birds the same since. Why would a boy who could fly choose to stay on the ground when the sky is infinite?

I am a bird.

The Now

The psychological torment I went through as a child is why I will never fully trust another person. If my own mother derived joy from torturing and owning her children, how can I look at anyone else and believe they won’t do the same? I tell people, “you are valued because of who you are, not because what you give me.”

And I believe that with the entirety of my being.

There are some who have taken advantage of my desire to make sure no one else feels the way I do. Some who have used my emptiness of self to try and add me to their collection of misery. But I refuse to let myself be lost forever.

I accept that there are moments of uncertainty, that there are times where I cry over my sink as I wash my dishes because I miss my mom. I will not tell myself I’m dumb for crying. I will not tell myself I’m fine, when I am very much the opposite.

There is so much I wish I could be angry about in regard to my childhood. It’s not anger I feel, though. It’s sadness. It’s grief for the kid I never got to be. Sure, I had moments of being a kid, but it was always tempered with “what’s going to happen when I get home? What kind of mood is Mom in today? What have I done to upset her? I can fix it, whatever it is.”

Ten-year-olds are not meant to fix their damaged mothers. I forgive the parts of her that are broken, but I do not forget the way she used those to destroy me.

Writing Journal #6

Singing Justin Bieber’s “Baby” while unwrapping a peanut butter cup is peak Saturday morning behavior, I think. I don’t know if this is journal number six. I could look, but that requires more dedication to a numbering system than I particularly care for currently. I don’t know “Baby” past the chorus, so it’s been just a repeat of “baby, baby, baby, ohhhhh” progressively more offkey.

I haven’t been stuck. Well, no, I have been. Stuck in chapter twenty of the Lazarus Rising first draft. I’ve come across things I’ll “fix in post,” I tell myself. Scribbling late into the night because insomnia has come to visit again. Who needs sleep when words give so much more to me? I probably do need sleep, because the headaches that have come from this lack of it are just debilitating sometimes.

But yeah, finally got through chapter twenty, and I actually made it through chapter twenty-one. Finished that last night, and then when I woke up this morning, I had some clarity to restart the gibberish I wrote to open chapter twenty-two before I passed out.

Currently, peanut butter cups are eaten, and water should be next to consume, but that requires getting up again and I just sat down to keep typing up chapter fourteen. I don’t want to get half a book behind on typing again, so I’m going to spend today doing some of that. After I have brunch/lunch with some friends.

Depression has been keeping me company as of late. I see it. I wave at it when I get home. I tell it how my day has been, knowing full well it’s been right there at my ankles the whole time. It knows my weaknesses. It knows my sadness. Not a bad roommate, really. More like a mother giving you the silent treatment and you aren’t sure what you’ve done wrong, so you’ll keep trying your best not to mess anything else up.

I hope you’re doing okay. I hope you’re able to see the sun, and I hope the warmth sticks with you longer than you expect it to.

Until next time, friends.

Game Review – The Callisto Protocol

(image from encrypted-tbn3.gstatic.com)

I keep thinking about this game and how it made me feel, so I’m going to drop a review of it even though I’m not a gamer who plays. SPOILERS AHEAD so if you don’t want to read about the ending of this game, please feel free to skip this post.

Anyone who knows me knows my favorite games, tied for first (I’m being honest with myself) are Dead Space and BioShock. When Dead Space first came out, I was blown away by the design, the gameplay, the story, all of it just settled into my brain and was kind of the beginning of my love of science fiction. I’ve always liked science fiction, but Dead Space opened my brain up to the unsettling aspects of the unknown dangers in space. I know there are films and stories older than Dead Space, but I hadn’t taken part in those yet. Aside from Halo, I hadn’t really encountered that uneasy feeling of something ahead I couldn’t see, but knew it would be a problem. When the popcorn balls of Flood came swarming out of a hold in the first Halo game, that moment kind of kicked the part of my brain that likes the spooky space stuff into gear.

I begin with Dead Space because throughout the gameplay I watched of Callisto Protocol, I kept comparing it to Dead Space. They are incredibly similar in design and story. There are certainly different visuals and gameplay itself is different, but I think both games have elements that make them their own. I’ll start with the similarities:

  • Location has encountered unknown virus or disease taking over
  • Main character is the ‘go-fer’
  • Main character has a job unrelated to the primary functions people keep asking him to “fix” or “take care of”
  • Limbs seem to be the thing to remove in order to kill beasties faster
  • Cool guns/weapons
  • Figure of authority who is the cause of problems/doesn’t do anything to stop problems from spreading
  • Ambiguous ending (for main campaign play. Dead Space had two more games after, and Callisto Protocol had DLC that we’ll get into later)

The things Callisto did well:

  • World design
    • large prison moon that expanded across the entirety of the location. The depth of the prison is revealed to have an older, failed settlement underneath the initial location. There are several sequences of falling that help showcase the absolute behemoth of a world Callisto is.
  • Weapons
    • I thought it was ridiculously cool that you could 3D print your guns/upgrades. There was the standard “credits for upgrades” stuff throughout, but I enjoyed the animation for the printing of the upgrades every time it happened. The boom stick made such a satisfying sound when it hit enemies. That kind of small detail was one of my favorite parts of the whole game.
  • Visuals in general
    • The colors, lighting, textures, etc all played a part in making it an immersive environment. The design of the enemies (I called them gooey dudes and freezy boys depending on location) is gross enough to be what I’d consider a standard of the genre, but interesting enough to be distinguishable from other games. A caveat is the gooey dudes were a little similar to the clickers from Last of Us, but that’s a digression. When fighting on the surface of the moon, everything kind of had this grayscale effect to it that was really, really cool, and enemies kind of blended in if they weren’t frozen in place.
  • Sound design
    • Not only was the music a legit part of the environment, but the creaks and rumbles and splashes were all insanely fun. I started my watch-through not wearing headphones but quickly put them on because I couldn’t hear what Jacob (main character) was saying. The sound is binaural and wowzers. The anxiety is heightened when you can hear something ahead but you can’t see it. The voices of the security bots is also intensified when it sounds like they’re right next to you as you’re being stealthy.
  • Enemies
    • Speaking of the security bots, haha. As the location is a prison on a moon, the elements of security would necessitate bots of some kind. These bots are not the standard floating boxes. These bots are completely badass.
(image from fan art on a Reddit post: click to visit)

What enhances the security bots later is a misguided scientist’s attempt to combine biology with tech and all she gets is this monstrous metal gloopy being bent on killing everything. The reveal of these enemies is pretty cool because there’s the shiny metal, but also the muscle mass and sinew of mammalian biology.

What Callisto Protocol failed for me:

  • Main character is a bit boring
    • Jacob is a pilot, a courier. He crash lands on Callisto while delivering and is kept as a prisoner because he “knows too much.” I think this game fell into the trap of “meet here and we’ll decide what to do next” only to keep using that mechanic to propel the game forward. As Jacob, we do a lot of running to places to fix things I’m not sure a pilot would necessarily have the skill required to fix. There are some moments where the characters acknowledge this lack of skill, but he still manages to fix the things just fine. Josh Duhamel as the VA for Jacob was a solid choice, though.
  • Gameplay is repetitive
    • Not only do you have to keep meeting people only to have to meet them later on a different level for a different task, there’s a lot of repetition in those tasks. Changing a fuse to open a door is a pretty standard sci-fi horror task, but it seemed like there were very few doors we didn’t need to change a fuse for, or he had to cut the wires for something to open. The stealth kill animation is also very similar to Joel’s in Last of Us. I know there are going to be similarities, but even to the way the main character lays the victim down feels a little recycled.
  • Story doesn’t have much cohesion
    • This is strictly for main campaign gameplay. Once Jacob saves the life of a resistance member (Dani) from the virus, he sends her off in an escape pod. They’ve shared their memories so she has his knowledge of the situation, and he has hers of why she’s a resistance member. He then runs off toward the exploding prison like the hero he is. There is no explanation that makes sense to why Jacob “knows too much.” It’s revealed he has some kind of dementia, or amnesia, but there’s no explanation for that either. Supposedly this missing information is passed to Dani, but the player never gets that conclusion. For all we know based on the story presented, Jacob is just the victim of corrupt prison wardens and human security and he doesn’t actually know anything.
  • DLC felt like an insult
    • The main campaign takes about seven hours to complete. The DLC adds almost another three. Essentially 9 hours of total gameplay. It’s full of the whole “we need to do this before we can do that! Meet me here and I’ll open the door for you!” tactic, and that grows incredibly tiresome after a few hours. The continuation of that for the DLC is a disappointment because we don’t get to have proper exploration of the world or story.
    • SPOILER: (the DLC) it was all just in his head. The reveal at the end of the DLC that this was all a “could have been/might have been” as he’s dying in the scientist’s lab is such a slap to the face. When Jacob watches Dani fly off in the escape pod, he’s blown up. The prison doctor/scientist finds him and hooks him up to her machines. All of the running around he does in the DLC is just a dream he conjures while being kept alive so his memories can transfer. In the scheme of storytelling, this is such a cheap way to end a story you didn’t even bother to fill out in the first place. There’s no explanation for pretty much anything, and we’re left to wonder why we played the game so long if it wasn’t going to give us any conclusion.
      • ANOTHER SPOILER: At the very end, Josh Duhamel’s voice comes out of Jacob and he’s shouting that “hey, it’s me, Josh! I’m not dead! Hey!” This would have been fun to me if I hadn’t just witnessed it all being a dream. It felt like the producers laughing as they turned the lights off and left me in the dark as I asked why.

All of the negatives I’ve listed do not detract from the fact I loved this game up till the end. The ending left me bitter and annoyed, but everything else was fantastic. There are similarities to Dead Space, yes, but I think overall Callisto is its own game and I think if we can forgive a shit ending, we can appreciate the game that got us to that shit ending. The visuals, especially the lighting with the sort of neon colors against the darkness of a failing environment, were so cool. Sound design was also amazing to me.

I think I originally gave this game a 6/10 because of the ending, but I feel like that’s harsh considering how much fun I had until that point. I will give this an 8/10.

Writing Journal #5

I don’t necessarily have writer’s block, I have lack of interest in writing at the moment. I’m still trying to write, though, and so some of the stuff that comes out is useable and other bits are more scrappable.

I am not discouraged by this, though! Sometimes taking breaks is necessary. Give a brain a bit of a rest. I’m doing some reading, though. Currently I’m reading Blood Meridian by Cormac McCarthy, and The Temptation to Exist by E.M. Cioran. I may review one or both of those! May also just read them, haha.

I considered doing a game review of a game I recently watched a playthrough of, but I sometimes feel like a poser when I try to talk about video games. I’m not skilled in the slightest at playing them, so I usually watch games (without commentary). Big, big space horror fan.

Back to writing: I’ve done a few things with the language I made up for the Maker series, like named a metal and started … doodling? I guess would be the word for it, but seeing how sentence structure would work. Different cities would have different structure sometimes, I think, as a way to differentiate their cultures/accents/etc.

I think that’s about all I have in terms of an update for now. Until next time, friends.

Atonement by Ian McEwan

“It wasn’t only wickedness and scheming that made people unhappy, it was confusion and misunderstanding; above all, it was the failure to grasp the simple truth that other people are as real as you.”

I had this book sitting on my “I’ve read this” shelf and recently went looking for something else when I spotted it. It sat on my “I haven’t read this” shelf for a while because I knew the story already. I’m a big, big fan of the film adaptation of this book, and from the synopsis, it followed the story pretty accurately.

I was not prepared for how deeply beautiful this book is. In the beginning, it’s told from the perspective of a thirteen-year-old girl who misunderstands something she sees out a window. A few more things happen within the space of an afternoon and evening, and as a result of her incorrect assumptions, lives are shifted into irreversible directions.

The film follows the book nearly scene for scene, which I felt incredibly kind of Hollywood. The story is rather important in all its moving parts, as most are, but with something so delicately perched on the bevel of catastrophe, anything left out would render the whole thing meaningless.

In reading some of the reviews, there were several people bothered by the fact the main character, Briony, doesn’t seem to “grow up” over the course of the book. This mainly stems from how she interrupts the rape of her cousin, and because of her false accusations sends an innocent family friend to prison.

The book stays mainly in Briony’s perspective, so we see her grow into a young adult at the precipice of a country at war. She doesn’t take her place at Cambridge, and goes into nursing–like the sister who fled the family on the arrest of the family friend. Briony comments on knowing she was wrong in her youth, and several of the reviewers were upset the rape isn’t discussed past a certain point.

My response to that is why would Briony talk about something that didn’t happen to her? I don’t mean that to sound callous, but as someone who’s experienced sexual violence, I don’t really find it pleasant to discuss. I don’t think the few people who know the situation sit around and talk about it amongst themselves either, so placing a responsibility on the main character to go into such an experience feels a little beside the point. She does eventually attend her cousin’s wedding, and it’s revealed her cousin marries the man who raped her (very much not the family friend). That and a few things Briony says at the end of the book are the only time it’s really mentioned again.

I don’t find it her responsibility to process such an event. McEwan could have written Lola’s perspective into the book, but she wasn’t a main character, and so having her show up to think/talk about her experience would have disjointed the story entirely.

The other thing people commented on was how the whole situation wasn’t important enough for a book. To that, I say, they missed the point. No one wants to read about a wealthy family crumbling because of misplaced accusations and a war. Not truly. But the depth of perspective we get from Briony shows us how penance cannot be achieved perfectly. By the end of the book, she is an old woman and discussing her regrets, so to speak, and what I love so much about it is the vast scope of her understanding, and the pain she has at not having her sister in her life.

I know my opinions are not the right ones. But they are mine, and I see Briony as faulted, someone who caused tragedy and bore the weight of that tragedy the rest of her life. Some would say rightfully so, but I feel like those people forget what it was to be thirteen and not understand the world the way we see it as an adult. We know right from wrong, but if we don’t know the reason or the why for something, it’s hard to articulate the responsibility.

9/10 stars

*******I read the First Anchor Books 2003 paperback edition*******

Where Do I Go From Here?

I feel it poking at the back of my brain, trying to wheedle its way into my skull. To bury itself where it feels most familiar, most comfortable. I am surrounded by what-ifs and why. Can’t you just let me breathe?

I wish I had answers and timeframes, and understanding of the deeper parts of fear. I just have a promise to keep trying. Keep doing. Keep rising out of bed, keep putting my shoes on and still be a person where it’s expected of me.

I want to hollow myself out and climb inside. Wrap the cavity around me and tighten it with screws. Let me get to know the woman I’ve become. Without being asked why I changed. Why I became.

It’s okay not to be okay, of course, but how long do you let that be your maxim? Your guide through life? When does it stop being a thing you tell yourself for grace and becomes a thing you tell yourself to hide?

Hide with me, I beg the moon. Hide away with me from all the sunrises coming for me, so I can stay with the part of me I don’t know yet, the part I’ve been running from this whole time.

Is it right, I ask my back patio, to leave the tired parts of my mind behind, to stand guard against the darkness seeping in through their fingers, while the rest of me pushes forward a brightness I know is false? Is it right of me to do that?

I wish I could tell you, I say to the pillow I tossed onto my mattress last night. I wish I could tell you why I can’t find the pieces. I just can’t.

I’ll keep looking, though, don’t worry.

Writing Journal #4

I’ve been working rather steadily on the first draft of the third book. Lazarus Rising. Not the religious connotations it might seem to have, but kind of? Based purely on Tobias (the creator of Telaroth) liking the story of Lazarus so much he used the name as a way to distance himself from the problems he caused. It goes so much deeper than that, of course, but this book is one of the first we see into Lazarus. Characters go into the sister-world and it is truly one of the coolest places to spend an afternoon in my head.

I am currently doing some typing so I don’t have an entire book to type in a few months when I have the first draft done. But I’m writing chapter sixteen now. Just scootin’ right along.

I’ve been thinking more and more about submitting a few short pieces for magazines/journals/etc, but I know next to nothing about that process. I have a few friends who are regular submitters and they’ve offered advice, so when I get the confidence to start collecting rejections, I’ll implement what I learn from them.

Sometimes I beta read as well, and one of the things that surprises the people I read for is how fast I get it done. So, I’ve considered maybe turning that into a side hustle. Get some dollars for a hobby? I don’t know. I truly enjoy reading through people’s work and seeing how I can help them tell the story they want to. I don’t really do line-edits, but I do broader content and some typo assist. I keep waffling back and forth on asking for money for it, though, because it is something I really do enjoy.

But my father told me once never give my work away for free.

And the part of me that breathes words says the delight I get from doing this kind of thing is the payment I need or even want.

Things to think about, of course.

Aside from that, I have a secret-not-so-secret project looming for the summer months, and I’m excited about that in the sense that it’s a piece I never really thought I’d publish. It’s a romance novel of sorts, and one I’ve worked on for yeeeeears and years. Never putting it anywhere more than a now defunct forum.

I will get the first draft of Lazarus Rising finished, and then work on Daisy while Lazarus steeps. When I get to the fourth book in the Maker series, that’ll be a challenge because I’ve never written a draft–first person or third. Everything else has at least been through a first person POV version. Uncharted territory ahead, and it’s exciting but intimidating all at once.

Thanks for reading this ramble of writing thoughts. Until next time, friends.

Just Do Your Best

I’m not sure how to start this one, so I’m just going to dive right on in there.

When I was a kid, I danced for about nine years. Ballet. I did the whole competition stuff, but I also did a private studio that didn’t participate in competitions. We would dance in local events, though, and there was this Christmas festival every year where members of groups and communities could decorate a Christmas tree and people would “buy” the tree. Proceeds went to charities or something. I might not have the full details on that because I was little and didn’t understand why I danced at this thing, I just knew I did.

One year, I’d asked my dad to be there. I don’t remember why, but it was really, really important for him to be there. He had dental surgery that day, and the pain meds he was given ended up making him sleep through my performance.

My dad arrived at the venue and knelt on the floor and just hugged me so tight and said he was sorry he missed my dance. He even showed me the inside of his lip as proof that there was a reason he wasn’t there. The regret in his eyes and the way he hugged me for what felt like an hour while kneeling on that hard floor, all because he thought he had failed me.

But he was there. He did show up.

I still feel that hug to this day.

I have more dances for him to see. They’re just not ballet. People won’t remember everything about you, but they’ll remember you trying. They’ll remember you being there in whatever way you can. I hope you continue to be here. And I hope you are a little gentler on yourself because you are doing your best.